Brighton Beach Memoirs

August 11, 2006

Take the Q train to the Brighton Beach stop and exit directly into another country. This is “Little Russia,” also known as “Little Odessa,” the heart of Brooklyn’s Russian community and the reputed home of the Russian Mafia.

The Village Voice says, “No matter where you’re from, it’s likely that at first, Brighton will make you alienated, lonely, and even … miserable.” Perhaps not miserable, but for those who don’t speak Russian or understand the culture of the former Soviet Union, negotiating the ‘hood can be a daunting experience.

This immigrant community is remarkably insular and suspicious — in fact, Brighton Beach is the only area of New York where shopkeepers have actually abandoned their busy cash registers and run outside to angrily forbid me from photographing their storefronts. That’s right, they don’t want photos of the exteriors of their shops. Taking pictures inside the stores is even more difficult, requiring a bit (or more) of subtrefuge.

And that’s a shame because, while the area is seriously lacking in charm, visitors who peek behind the Cyrillic signs can discover fascinating (and delicious) shopping and dining in Brighton Beach. Beyond the famed Russian connection, the neighborhood has drawn immigrants from many of the nations in Russia’s orbit and the main shopping street, Brighton Beach Avenue, is crowded with Ukrainian bakeries, Belarusian furriers, Turkish sweets shops and Georgian shashlik houses.

Brighton Beach’s many bakeries all have large windows open to the street, allowing shoppers to buy savory pastries — flaky pockets stuffed with meat or cheese and fresh, fragrant loaves of pumpernickel and rye — without having to push their way into the crowded shops. The delis and supermarkets feature “salad bars” stocked with heaping trays of cooked sausages, chicken Kiev, dilled potatoes, stuffed cabbage, beet salad, eggplant “caviar,” cherry-filled blintzes and other hearty old world dishes. Huge stores offer goods ranging from t-shirts emblazoned with Russian slogans to copies of Microsoft Excel for Dummies in Russian; tiny shops sell caviar and babushkas.

If you go to Brighton Beach, be sure to stop in at Vintage, where you can select nuts and candies from dozens of bins and barrels, M&I International Foods where you can enjoy Russian ice cream, borscht and pelmeni at the rooftop cafe, and the Odessa grocery, where you can buy an enormous slab of baked salmon for only a few dollars. Walk a block or two south and you’ll find a wide, windswept boardwalk and miles of clean, beautiful Brooklyn beaches.


Welcome to Brighton Beach Posted by Picasa


Keep Brighton Beach Clean Posted by Picasa


Under the tracks Posted by Picasa


This appears to be an ad for a Russian drag show Posted by Picasa


Sign at butcher shop Posted by Picasa


Glass-fronted wooden drawers of grains in Vintage Posted by Picasa


Olives and sundried tomatoes in Vintage Posted by Picasa


We squeaze juice Posted by Picasa


Bakery worker Posted by Picasa


Danielle Steele novels Posted by Picasa


Caviar Posted by Picasa


Fresh sweets Posted by Picasa


Ground pork Posted by Picasa


Under the tracks on Brighton Beach Boulevard Posted by Picasa


Bakery worker Posted by Picasa


On Brighton Boulevard Posted by Picasa


A pavilion on the boardwalk Posted by Picasa


The beach Posted by Picasa

  • Brighton Neighborhood Association
  • Village Voice: Close-Up on Brighton Beach
  • Village Voice: Close-Up on Brighton Beach, Brooklyn
  • Roadtrip America: Brighton Beach
  • Brighton Beach Memoirs
  • Little Odessa

  • Art: The Weapon of Intelligence

    August 11, 2006

    Don’t dare call the paintings on this Brooklyn truck graffiti; they are, in every meaning of the word, art.


    Art: The weapon of intelligence! Posted by Picasa


    He stay gettin bizy Posted by Picasa


    Way up in ya Posted by Picasa


    Maman Posted by Picasa


    The black leprakhan Posted by Picasa


    He has a good Russian wife Posted by Picasa


    Vel Crew * Ganoz Posted by Picasa


    72 Brighton Ct – Bklyn, NY 11235 Posted by Picasa


    A Stink Grows in Brooklyn

    August 11, 2006

    The news is filled with stories about a plant that bloomed late yesterday at the Brooklyn Botanical Garden. Known as amorphophallus titanum and nicknamed “Baby,” the species is remarkable for its rarity, its size and its aroma, which is said to smell like putrid, rotting meat.

    The amorphophallus titanum, popularly called the “corpse flower,” takes decades to bloom (this is the first flowering in New York since 1939) and the blossom lasts only a few days. Hordes of admirers and reporters have been flocking to the Brooklyn Botanical Garden, all of them anxious to get a whiff of Baby’s remarkable smell.

    The plant’s single flower is enormous and strangely beautiful. Unfortunately, most of the visitors who arrived today in search of its famed stench couldn’t smell a thing. The gardeners overseeing the plant patiently explained that once the flower blooms the smell comes “in waves” during the first eight or so hours. “You should have been here at 6:00 this morning,” said one. “It really stank then.”

    One well-heeled suburban matron asked a security guard to describe the plant’s aroma. “Well,” he began, “you know what a dead rat smells like?”

    “Good God, no!,” she exclaimed, recoiling in horror.

    The guard pondered for a moment, trying to think of another example to offer the woman. Finally, he turned to another visitor. “Do you know what a dead rat smells like?,” he asked.

    “Of course,” came the swift reply. “I’m from Brooklyn!”


    Baby at the peak of its bloom Posted by Picasa


    Daily News photographer on a ladder Posted by Picasa


    News crew from Channel 9 Posted by Picasa


    So, what do YOU think of the stinky flower? Posted by Picasa

  • Brooklyn Botanic Garden
  • Blooming of Amorphophallus titanum
  • Plant Web cam
  • Brooklyn’s Bloom, a Sight (and Stench) Not to Be Missed
  • Forget Bees. This Flower Lures Humans.
  • Blooming Flower Causing Big Stink
  • Stinky Plant Ready to Bloom in Brooklyn

  • Welcome to Little Italy on Arthur Avenue

    July 29, 2006

    Most tourists think that New York’s Little Italy is a few blocks in lower Manhattan filled with overpriced red-sauce spaghetti joints, tacky and vulgar t-shirts and knock-offs of designer duds. But knowledgeable New Yorkers know that the real Little Italy is in the Belmont section of the Bronx.

    Arthur Avenue is the main street of Little Italy, packed with family run food shops and restaurants. Most of the places here not only sell Italian-style foods, they create it, including homemade cheese, sausage, pasta, bread, wine and pastry. The fish shops are operating-room clean, the bakeries warm and fragrant and the delis and cheese shops are brimming with pre-cut samples of their wares.

    If you visit Arthur Avenue, you’ll eat a little, drink a little, taste a little, walk a little. Have a cannoli, a handful of roasted ceci, a stuffed zucchini blossom, a briny clam on the half-shell, a slice of pepperoni, a chunk of olive bread. Benvenuto! Mangia, mangia!


    Little Italy in the Bronx Posted by Picasa


    Scungilli Posted by Picasa


    Octopus Posted by Picasa


    At sidewalk clam bar Posted by Picasa


    Beef tripe Posted by Picasa


    Inside pork store Posted by Picasa


    Outside Teitel Brothers’ store Posted by Picasa


    Sidewalk display outside Teitel Brothers’ store Posted by Picasa


    Inside Arthur Avenue Retail Market: Thank you Mr. Capone Posted by Picasa


    Rolling cigars at La Casa Grande Tobacco Company
    Posted by Picasa


    Lamb heads inside Arthur Avenue Retail Market Posted by Picasa


    In Arthur Avenue Market: Closed for my granddaughter Posted by Picasa


    Inside Calandra Cheese Posted by Picasa


    Cannoli filled while you wait Posted by Picasa


    Inside Madonia’s Bakery Posted by Picasa


    Chocolate covered cannoli Posted by Picasa


    Rum cakes Posted by Picasa


    Cream puffs Posted by Picasa


    Eclairs Posted by Picasa


    Arthur Avenue & E. 187th St. Posted by Picasa

  • Arthur Avenue
  • Village Voice: Arthur Avenue
  • Saveur: Arthur Avenue Guide
  • eGullet: Arthur Avenue
  • Off the Broiler: Arthur Avenue
  • Gastropoda: Arthur Avenue
  • New York Magazine: Arthur Avenue
  • Mike’s Deli on Arthur Avenue

  • The Kids from Phyllis Wheatley

    July 26, 2006

    Students, to you ’tis given to scan the heights
    Above, to traverse the ethereal space,
    And mark the systems of revolving worlds

    –Phyllis Wheatley

    Although her poetry was once an international sensation, today Phyllis Wheatley is remembered more for her extraordinary life than her work.

    Born on the western coast of Africa in the mid-1700s and kidnapped by slave-traders, she was purchased by Bostonian John Wheatley as a servant for his wife. Her name was derived from those of her owners and the ship that transported her to America, the Phillis. Observing her quick mind (she learned English in only a few months), the Wheatleys defied custom by teaching the young slave to read and write. Soon she was reading English, Greek and Latin classics and the Bible and composing poetry.

    Six years after her arrival in America, Phyllis Wheatley’s first poem was published; after another six years her book, the first published by a slave, made its debut. Her work brought her freedom, acclaim and renown. As a freewoman, she traveled in the US and abroad and met noted figures of the day including John Hancock and George Washington.

    These bright-eyed kids attend a school located in a tough corner of Brooklyn and named in Phyllis Wheatley’s honor. Caught on a class trip to the Metropolitan Museum of Art, they display the energy and imagination “to scan the heights” — and more than a bit of youthful, joyful hamminess.


    Three friends Posted by Picasa


    Doing a split Posted by Picasa


    Handstand Posted by Picasa


    Deep dimples Posted by Picasa


    Break dancing Posted by Picasa


    Smiling boy Posted by Picasa

  • Women in History: Phyllis Wheatley
  • Poems of Phyllis Wheatley
  • The Complete Writings of Phyllis Wheatley
  • New York School Directory: Phyllis Wheatley Academy
  • Inside Schools: Phyllis Wheatley Academy
  • The Metropolitan Museum of Art

  • Mysteries of Manhattan: A New York City Alphabet

    July 20, 2006

    In downtown Manhattan, someone carefully painted an alphabet on the wooden fence surrounding a construction site at the corner of Warren and Church Streets. There is no visible indication of why, when or by whom this alphabet was created.


    Apple � Boy Posted by Picasa


    Cat � Dog Posted by Picasa


    Egg � Fun Posted by Picasa


    Good � Hello Posted by Picasa


    Ink � Jam Posted by Picasa


    Krishna � Like Posted by Picasa


    Mom � No Posted by Picasa


    Ontology � Pencil  Posted by Picasa


    Quark � Robot  Posted by Picasa


    Silly � Tungsten Posted by Picasa


    Ulterior Motive � Vague Posted by Picasa


    Wet � X-Ray Posted by Picasa


    Yes � Zen Posted by Picasa


    Teddy Atlas on Fear

    July 17, 2006

    Tonight, in an effort to stay cool and delay going down into the oppressively hot subways, I attended a book signing at the Borders Books store in Columbus Circle (stores in ritzy neighborhoods tend to keep their thermostats set at Arctic levels).

    The book signing (and reading) was by boxing trainer and commentator Teddy Atlas who, working with writer Peter Alson, has just published his autobiography, Atlas: From the Streets to the Ring.

    During the course of his career Atlas has moved through every level of society, working with the famous and infamous, the beautiful and the ugly, dancers and athletes, doctors and executives, underprivileged kids and hardened criminals. He’s known gentleness and viciousness, redemption and damnation, punched hard, dried tears, heard as many confessions as a priest, felt the power of love and the damage of indifference.

    He arrived late, delayed by taping a TV segment at Brooklyn’s Gleason’s Gym and, apologizing profusely, read a long passage from the book. Then, fielding questions from knowledgeable fight fans, he spoke about his work with young boxers, the “Golden Age” of the sport (in his opinion, the 1920s – 1950s), why today’s fighters don’t measure up to their predecessors and why he isn’t working for HBO.

    Just before he began signing books, this unmistakably tough guy said something that struck a chord with me. He spoke about fear. Atlas, who is certainly in a position to know, says that all fighters are afraid. Even the men who appear to be the toughest, the most fearless, are scared to climb into the ring. The trainer’s job isn’t to teach the boxer how to stop feeling fear (an impossible goal), but rather, how to live with his fear.

    “They’re all afraid,” said Atlas. “Do you think there’s one of them that wouldn’t rather go get an ice cream than fight? They can’t stop being afraid, but they can learn not to show it. They learn to accept it and deal with it and not let it stop them.”

  • Atlas: From the Streets to the Ring: A Son’s Struggle
  • Hardcore Boxing: Kimo Morrison and Teddy Atlas
  • Gleason’s Gym
  • Borders Books Columbus Circle
  • Dr. Theodore Atlas Foundation

  • MoMA loves Dada

    July 17, 2006

    As a student I learned that Dada was a short-lived, rather silly art movement of little significance. My professor snickered about a few European artists who became notorious in the 1920s and 1930s by treating porcelain urinals like fine art and filming each other slicing up cow’s eyeballs. They knew how to get publicity, he told us, but they created nothing of lasting value or meaning.

    How little he — and I — knew. This exhibit at the Museum of Modern Art (MoMA) was a revelation. The show is the first in the United States devoted exclusively Dada, and it is one of the best exhibits I’ve ever seen. I wandered in with no particular expectations and left with a fresh understanding of, and appreciation for, one of the most influential art movements of the 20th century.

    The exhibit will be open for two more months. If you have the opportunity to go, do so and be prepared to think about Dada in an entirely new way. Don’t forget to pick up an audio guide. The commentary is fascinating and, thanks to our art-loving mayor, who has been throwing some of his money in MoMA’s direction, the guides are currently available free of charge.


    Dada at MoMA Posted by Picasa

  • MOMA
  • MOMA: Online Dada Feature
  • Dada at MoMA Exhibit Catalog
  • The New York Review of Books
  • The International Dada Archive

  • Stand Up for Bastards

    July 16, 2006

    Legitimate Edgar, I must have your land.
    Our father’s love is to the bastard Edmund
    As to th’ legitimate. Fine word — ‘legitimate’!
    Well, my legitimate, if this letter speed,
    And my invention thrive, Edmund the base
    Shall top th’ legitimate. I grow; I prosper.
    Now, gods, stand up for bastards!

    — King Lear, Act I, Scene II.

    Today, in the space between the Brooklyn and Manhattan Bridges, a small audience braved the brutal heat for art’s sake. They gathered in a shady corner of Empire-Fulton Ferry State Park to watch the Boomerang Theatre Company in a free performance of Shakespeare’s King Lear.

    An extraordinary moment came at Act 3, Scene II, when Lear and the Fool emerged from the shaded grove. As the king cried, “Blow, winds, and crack your cheeks! Rage! Blow!,” a strong current blew through the trees, bending the limbs with such force that a branch came crashing to the earth.


    A grove of trees serves as “backstage” Posted by Picasa


    Edgar draws his sword against Edmund Posted by Picasa


    Edmund is mortally wounded Posted by Picasa


    Kent watches as Lear cradles the dead Cordelia Posted by Picasa

  • Online Literature: King Lear
  • Boomerang Theatre Company
  • Bill Fairbairn
  • Review of Boomerang Theatre Company’s King Lear
  • Empire-Fulton Ferry State Park

  • Viva La France! Viva L’indépendance!

    July 14, 2006

    Today is Bastille Day, the anniversary of 1789 uprising when the people of Paris rose up and stormed the Bastille prison. Their actions set in motion the overthrow of the monarchy and the birth of the modern French Republic.

    In France, Bastille Day is a national holiday that is celebrated (much like our Fourth of July) with parades, parties and fireworks. In the United States, festivities marking the day tend to be both sparse and quirky and generally include a peculiar event called a “waiter’s race.”

    For several years Les Halles Brasserie has organized a Bastille Day block party in downtown Manhattan. Even though the restaurant is currently covered in scaffolding and the street outside is undergoing major construction, the party went on, including dancing girls, waving flags, a four piece band playing La Marseillaise, chilled champagne, food fresh off the grill and special appearances by a cow, the Statue of Liberty and Marie Antoinette.

    The barricades, metal plates in the asphalt and potholes made the footrace particularly challenging; professional waiters had to walk (no running allowed!) the course holding a full tray; the winner wasn’t the first to cross the finish line, but the first to cross without spilling a drop. In the spirit of empancipation, this year the “waiter’s race” was won by a steady-handed waitress. Viva La France! Viva Viva L’indépendance! Viva La Femme!


    Dancing girl picks a partner out of the crowd Posted by Picasa


    Lady Liberty stands outside Les Halles Posted by Picasa


    A cow Posted by Picasa


    Marie Antoinette Posted by Picasa


    Waiting at the food tents Posted by Picasa


    Food trays emptied quickly Posted by Picasa


    Lamb sausages sizzling on the grill Posted by Picasa


    Holding trays, waiting for the race to begin Posted by Picasa


    The winner (on the right) is announced Posted by Picasa


    Les Halles Posted by Picasa

  • Web-Holidays: About Bastille Day
  • French Embassy: Bastille Day
  • La Marseillaise
  • Les Halles Brasserie

  • Angry signs in Brooklyn

    July 13, 2006

    These handwritten signs, both addressed to pedestrians, caught my attention.


    Taped to fence on Monroe Place Posted by Picasa


    Taped to wall on Pineapple Street Posted by Picasa


    The Brooklyn Steppers Marching Band rehearses

    July 9, 2006

    Seventy Six Trombones

    Seventy six trombones led the big parade
    With a hundred and ten cornets close at hand
    They were followed by rows and rows of the finest virtuosos
    The cream of every famous band

    — Meredith Willson, 1957

    They call it Bridge Park, but usually the only thing growing behind the chain link fence – just below the Bronx-Queens Expressway – is a few weeds, some scruffy pigeons and a pile of broken glass. But every once in a while that rough patch of concrete gives life to rousing music. On this sunny Saturday members of the Brooklyn Steppers Marching Band are using Bridge Park as a rehearsal space. It isn’t easy to synchronize marching and playing, but these members of the Brooklyn Music and Arts Program are practicing diligently.


    Getting a good view Posted by Picasa


    Brass instruments gleaming Posted by Picasa


    Here come the drummers Posted by Picasa


    When the bandleader speaks, the musicians listen Posted by Picasa


    The big bass drum Posted by Picasa


    Hitting a high note Posted by Picasa


    Waiting to play Posted by Picasa

  • Brooklyn Music and Arts Program

  • A visit to Governors Island

    July 7, 2006

    If you’ve spent any time in New York, you’ve probably seen Governors Island, but chances are you’ve never been there. This island in New York Harbor long served as a key defense base and access was restricted to authorized military personnel.

    In the period immediately following the revolution, the newly-formed United States fortified Governors Island. Fort Jay was built at the island’s highest point and Castle Willliams near the shore. Administrative buildings, housing and other facilities were erected, and for hundreds of years the island was occupied and run by various branches of the military.

    In 1996, in a cost-cutting measure, the Coast Guard reassigned officers and troops, moved equipment and records, and permanently closed the base at Governor’s Island. Once emptied of its inhabitants, the island was essentially split in two; the 92-acre area surrounding Fort Jay and Castle Williams was declared a national historic landmark district and the remaining 150 acres turned over to City and State of New York, which have not yet decided on its use.

    This summer, the island’s historic landmark district is open to the public. Ferry service brings visitors from the Battery Maritime Building (next to the Staten Island Ferry Terminal) and tours are provided by the National Park Service; both ferry and tour are free of charge.

    Benign neglect has allowed much of the historic district to slide into decay and most of the Victorian manses on Colonel’s Row, once devoted to officers’ housing, remain off-limits. While visitors aren’t able to enter most of the buildings, they are free to enjoy the sweeping views, stroll the wide walkways, laze under the centuries-old shady trees and explore the ghost town the lies only a few hundred yards from Manhattan.


    Welcome to Governors Island Posted by Picasa


    Castle Williams and lower Manhattan Posted by Picasa


    Cannon and dry moat at Fort Jay Posted by Picasa


    Abandoned hospital Posted by Picasa


    Abandoned dental office Posted by Picasa


    Support Center New York Posted by Picasa


    Inside abandoned building (shot through window) Posted by Picasa


    Abandoned housing Posted by Picasa


    Vine-covered fence Posted by Picasa


    Visitor reading in the leafy shade Posted by Picasa


    Our Lady Star of the Sea Posted by Picasa


    Weeds growing through cracked tennis courts Posted by Picasa


    Decaying porch steps Posted by Picasa


    Library Posted by Picasa

  • Governors Island National Monument
  • Governors Island Preservation and Education Corporation

  • West Indies at Borough Hall

    June 28, 2006

    This evening, commuters emerging from busses and subways near Borough Hall were greeted by the sound of beating drums, shaking maracas and resonating gourds. It was an outdoor concert organized by the West Indian American Day Carnival Association, the folks responsible for the annual Labor Day parade on Brooklyn’s Eastern Parkway.


    Dancer on stilts Posted by Picasa


    Two dancers on stilts kicking backwards in unison Posted by Picasa


    Playing the guitar Posted by Picasa


    Orange and white feathers Posted by Picasa


    Pink and orange feathers Posted by Picasa


    Young dancer Posted by Picasa

  • West Indian American Day Carnival Association

  • Pride Parade 2006

    June 25, 2006

    When it comes to homosexuality, most gay organizations are determined to project an image of normalcy in which all gay men are Will Truman and all lesbians Ellen DeGeneres.

    — Riki Wilchins

    This massive last-Sunday-in-June event has always been characterized by a mixture of flamboyance and defiance. Initially known as the “Christopher Street Gay Liberation Day March,” it began as a way to commemorate the first anniversary of the Stonewall Riots – the singular event that sparked the gay rights movement.

    The Stonewall Riots (also known as the Stonewall Rebellion) took place over several nights in June 1969. The riots started during what was supposed to be a routine police raid at the Stonewall Inn, a gay bar on Christopher Street. According to Martin Duberman’s book, Stonewall, the rebellion was sparked when a police officer prodded drag queen and incipient transgender activist Sylvia Rivera with a nightstick and she responded by throwing a bottle at him.

    A melee ensued and the angry crowd overwhelmed the surprised officers who’d expected the crowd at the Stonewall, like all their predecessors, to quietly enter the paddy wagon and submit to arrests for “indecency.” When passers-by and patrons of other bars in the neighborhood joined the fight, the NYPD brought in reinforcements and riot gear. Before it was over, a crowd of 2,000 protestors fought 400 police officers. Once unleashed, their sense of injustice and outrage quickly led to the formation of several gay rights organizations.

    Over the years, the anger and rebellion that fomented the gay rights movement have been largely replaced – at least in the mainstream media – by a more conservative message, a more inclusive, celebratory and conciliatory tone. The march turned into a parade, the words “Liberation” and “Freedom” were replaced with “Pride,” the focus on transgender rights and concerns was replaced by the fight for legalized gay marriage.

    But this year, the rage and outrageousness that fueled the movement’s beginnings returned to the front pages and parade-goers’ conscienceness. On June 11, popular drag performer and Billboard chart-topping singer Kevin Aviance was attacked outside a gay bar in the East Village. He was robbed and savagely beaten by a group of men who yelled “Kill the faggot” and pelted him with garbage.

    Suffering from a broken jaw and requiring extensive physical therapy, it appeared that he would be unable to participate, as scheduled, in the parade’s after-party.

    However, two days before the march he told the New York Post, “I am getting my mouth unwired for one day, so that I can be done up for the Gay Pride Day Parade on Sunday.” And so he did. Today he made a triumphant return to the public eye, riding Hannibal-like on the back of an elephant while waving to the ecstatic, cheering, wildly proud crowd.


    Gay bashers can kiss my ass Posted by Picasa


    From the LGBT Community Center Posted by Picasa


    Baby blue accessories Posted by Picasa


    Dressed in MetroCards Posted by Picasa


    Pink hat Posted by Picasa


    The Barry Z Show: 15 years of great TV Posted by Picasa


    The colors of Brazil Posted by Picasa


    Puerto Rico Posted by Picasa


    Purple and gold Posted by Picasa


    Red and yellow Posted by Picasa


    From the Center Posted by Picasa


    Svedka Vodka float Posted by Picasa


    Lady Bunny for Svedka Vodka Posted by Picasa


    Rainbow Mohawk Posted by Picasa


    Matching bandana & motorcycle Posted by Picasa


    American by birth, biker by choice Posted by Picasa


    Evita, direct from Argentina Posted by Picasa


    Dancing men in lederhosen Posted by Picasa


    CrossDressers International Posted by Picasa


    Big water gun Posted by Picasa


    Radio station KTU 103.5 float Posted by Picasa


    Columbia float Posted by Picasa


    Another Gay Movie Posted by Picasa


    Just out of the hospital, Kevin Aviance Posted by Picasa


    Kevin Aviance Posted by Picasa

  • Heritage of Pride
  • Stonewall Veteran’s Association
  • Sylvia Rivera: 1951-2002
  • Riki Wilchins: In Memory of Sylvia Rivera
  • Queenmother: Kevin Aviance
  • Drag Queen Beaten in E. Village Horror
  • Back With Pride
  • New York City Gay & Lesbian Anti-Violence Project

  • Mermaids in The Rain

    June 24, 2006

    The Northeast part of the United States has been pelted with rain for days, but regardless of the weather, local Mermaids were determined to hold their parade today on the streets of Coney Island.

    There were few drizzles during the 24th Annual Mermaid Parade, but the crowds in the streets were unusually sparse, the skies were gray, some of the floats were draped with tarpulins and more than one participant carried an umbrella. And when the marching (and dancing, strutting, singing and swinging) stopped, the skies opened. Good thing that all mermaids love water.


    The Mermaid Parade Posted by Picasa


    The “mayor” of Coney Island banging his own drum Posted by Picasa


    East Village Sea Monster Marching Band Posted by Picasa


    Chef vs. lobster Posted by Picasa


    Mermaid and Captain Posted by Picasa


    Sea-Funk All Star Band Posted by Picasa


    Bride and Grouper with attendants Posted by Picasa


    Burleque queen Little Brooklyn & her boyfriend Posted by Picasa


    Republi-Sea-Monster Posted by Picasa


    Rockin’ little mer-boy Posted by Picasa


    Patriotic mermaid Posted by Picasa


    Marilyn Mermaid Posted by Picasa


    Blue mermaid Posted by Picasa


    Wearing pink on the Boardwalk Posted by Picasa


    Tatooed mermaid Posted by Picasa


    Mermaid and (soon-to-be) mer-mom Posted by Picasa


    Red & white fish Posted by Picasa


    Wearing the official parade hat Posted by Picasa


    Man, dog & parrot Posted by Picasa


    Man-eating goldfish Posted by Picasa


    Bambi the Mermaid and indy director Abel Ferrera Posted by Picasa


    Ginger & the Skipper (sans Gilligan) Posted by Picasa


    Elvis of the sea Posted by Picasa


    New York’s Finest Posted by Picasa


    Trio of New York’s Finest Posted by Picasa


    After the parade, a lone mermaid stands in the rain Posted by Picasa

  • Mermaid Parade
  • Costume Network
  • Kostume Kult
  • Little Brooklyn
  • Bambi The Mermaid
  • Nathan’s

  • A brief tour of As-tour-ia

    June 19, 2006

    Astoria has always been the home to strivers and dreamers. In the early 1800s the village of Hallet’s Cove was re-named Astoria in hopes that John Jacob Astor, the first millionaire in the United States, would invest there. Although he reportedly never set foot in Astoria, America’s richest man eventually gave the village $500 and the name stuck.

    This northwestern section of Queens, where three bridges – the Queensboro, the Triborough, and the Hell Gate – cross the East River, is the traditional center of Greek life in America. Today, long-time residents are joined by newcomers from around the world and Astoria has become one of the most diverse neighborhoods in the nation, filled with those pursuing their own American dreams.


    Triborough Bridge seen from inside the subway station Posted by Picasa


    View from subway station stairs Posted by Picasa


    Welcome to the neighborhood Posted by Picasa


    We speak German, Polish, Spanish, French, Greek Posted by Picasa


    Pedestrian and sidewalk mural Posted by Picasa


    Selecting oranges outside of a Greek market Posted by Picasa


    A proud gardener tending his fig trees Posted by Picasa


    In a quiet corner of the Triborough Bridge Playground Posted by Picasa


    Resting in the shade Posted by Picasa


    Chatting on the grass in Astoria Park Posted by Picasa


    A sleepy snuggle in the park Posted by Picasa


    View of Riker’s Island Posted by Picasa


    Bridge over the East River Posted by Picasa


    Chilling inside the Bohemian Beer Garden Posted by Picasa


    Security guard at Bohemian Beer Garden Posted by Picasa


    Statue of Socrates Posted by Picasa


    Athena, gift from the people of Athens, Greece Posted by Picasa

  • Queens Borough President
  • Central Astoria LDC
  • Astorians
  • Joey in Astoria
  • Greater Astoria Historical Society
  • Bohemian Hall and Beer Garden
  • Freeze Peach Cafe

  • Welcome to the Meow Mix House

    June 16, 2006

    Well we’re movin’ on up
    To the East Side
    To a dee-luxe apartment in the sky
    We’re movin’ on up
    To the East Side
    We’ve finally got a piece of the pie

    — Ja’net DuBois and Jeff Barry
    Theme song to “The Jeffersons”

    It wasn’t that long ago that they were homeless and hopeless, scrounging around in garbage cans and sleeping in the streets. Now these cats are ensconced in a duplex apartment on one of the city’s toniest streets. Welcome to the Meow Mix House.

    10 cats from shelters around the country were brought to New York to share the Meow Mix House – a storefront that has been temporarily transformed into a kitty dream home. The cats-in-residence are participating in what’s being called “the world’s first cat reality show.” All the cats will be adopted and receive a one-year supply of Meow Mix cat food. The “winner” in will also be given “a job working for The Meow Mix Company as Feline Vice President of Research and Development.”

    Of course it is silly, and it is intended to sell a lot of cat food, but the Meow Mix House also raises awareness of animal welfare and, for the week it remains at the corner of Madison Avenue and 49th Street, the house’s residents are amusing, enchanting and entertaining their fellow East Siders.


    Exterior view Posted by Picasa


    New Yorkers stopping in their tracks Posted by Picasa


    Napping on the couch Posted by Picasa


    Descending from the loft Posted by Picasa


    Grabbing a snack Posted by Picasa


    Sinking to a new low Posted by Picasa


    Posing for passers-by Posted by Picasa


    Napping Posted by Picasa


    Catching some rays Posted by Picasa


    Beware of cat Posted by Picasa

  • Meow Mix
  • Meow Mix House
  • About the Meow Mix House
  • Theme song to “The Jeffersons”

  • 28th Annual Museum Mile Festival

    June 13, 2006

    The second Tuesday of every June, as day turns to night, one of the most beautiful sections of the city hosts the Museum Mile Festival. The mile-long stretch of Fifth Avenue from 82nd Street to 104th Street is closed to traffic while nine of the cultural institutions that line its sides are open to the public, free of charge. For a few all-too-brief hours this evening, this normally quiet, dignified street overflowed with laughter, awe, music, art and magic.


    Face painting on 5th Avenue Posted by Picasa


    Escaping from straight jacket & chains Posted by Picasa


    Watching a magician Posted by Picasa


    Jazz in front of National Academy of Design Posted by Picasa


    Young sidewalk artist Posted by Picasa


    Chalk drawing Posted by Picasa


    Chalk drawings by Giorgia Posted by Picasa


    Cassis (Birgit Staudt) in front of the Goethe-Institut Posted by Picasa


    Czechoslovak-American Marionette Theatre Posted by Picasa


    Juggling flaming torch, machete & apple Posted by Picasa


    Watching a street magician  Posted by Picasa


    Young juggler in front of Metropolitan Museum Posted by Picasa

  • Museum Mile Festival
  • The Metropolitan Museum of Art (5th & 82nd)
  • Goethe Institut New York/German Cultural Center (5th & 83rd)
  • Neue Galerie New York (5th & 86th)
  • Solomon R. Guggenheim Museum (5th & 89th)
  • National Academy Museum and School of Fine Arts (5th & 90th)
  • Cooper-Hewitt National Design Museum (5th & 91st)
  • The Jewish Museum (5th & 92nd)
  • Museum of the City of New York (5th & 103rd)
  • El Museo del Barrio (5th & 105th)
  • Czechoslovak-American Marionette Theatre

  • Big Apple Barbecue Block Party

    June 11, 2006

    OK, it isn’t a typical block party; it is a heavily-promoted, big-time commerical enterprise featuring corporate sponsors and high-profile chefs. But there’s no denying that this weekend the 4th Annual Big Apple Barbecue Block Party attracted a crowd that included some of New York’s most ravenous foodies.

    The event brought 10 pitmasters to Madison Square Park for two days of marinating, smoking, basting, cooking, eating, dancing and drinking. Thousands of people stood on line for hours to get their share of the ribs, pulled pork, brisket and Brooklyn Beer while soul, jazz and country musicians took the stage. Best of all, the proceeds from the sale of food and drinks benefit the Madison Square Park Conservancy. Good food, good beer and good music, all for a good cause.


    Entrance to Madison Square Park Posted by Picasa


    Surrounded by smoke Posted by Picasa


    Partygoer eating a barbeque sandwich Posted by Picasa


    Bettye LaVette singing soulfully Posted by Picasa


    Partygoer carrying a platter Posted by Picasa


    Partygoers digging into platters Posted by Picasa


    Pit worker covered in barbeque sauce Posted by Picasa


    Pit worker in a scorched shirt Posted by Picasa

  • Big Apple Barbecue Block Party
  • Bettye LaVette

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