New Apple Store in the Big Apple

May 19, 2006

Today, at 6 p.m., the Apple Store at 767 Fifth Avenue & 58th Street had its grand opening. The sole part of the store visible from the street is the entrance, a 32 foot glass cube marked only with the Apple logo. The interior, which is below ground level, can be reached via a glass elevator or a glass spiral staircase (similar to I.M. Pei’s pyramid entrance to the Louvre museum).

One young man was so determined to be the first customer that he arrived Wednesday night and camped out in the street, underterred by three days of thunderstorms. By Thursday night he was joined by several other Apple fans and on Friday, the hordes arrived; thousands of people formed a queue that eventually went all the way around the block, across the street and up three blocks, ending somewhere around Madison Avenue and 60th Street.

Employees flanked the entrance, applauding and high-fiveing each new customer. The first 2,500 to enter the store recieved special commemorative t-shirts packed in white boxes (similar to the packaging of Apple products) and an entry ticket to a series of drawings for free MacBooks, Apple’s newest laptops. Each MacBook slated for the giveaway was wrapped in a banner saying “We know what your next blog entry will be.”

Celebrities attending the opening included Spike Lee, James Woods, singer John Legend, the “Fab 5” from Queer Eye for The Straight Guy, Kevin Bacon and most of the cast of Saturday Night Live.


The store illuminated (I did not shoot this photo) Posted by Picasa

  • Apple Store Fifth Avenue
  • Gothamist: Apple Store Opening
  • Cnet: Meet Apple’s Version of Deadheads
  • Wired: Fans Storm Apple’s 5th Ave Store
  • The Louvre
  • Queer Eye For the Straight Guy
  • Saturday Night Live

  • 5th Annual Tribeca Film Festival

    May 7, 2006

    “Created by Jane Rosenthal and Robert De Niro, the mission of the Tribeca Film Festival is to enable the international film community and the general public to experience the power of film by redefining the film festival experience. The Tribeca Film Festival was founded to celebrate New York City as a major filmmaking center and to contribute to the long-term recovery of lower Manhattan”.

    The Tribeca Film Festival grows larger every year. This spring, for the fifth anniversary, the Festival broke all records: 274 films from 40 countries were screened at locations around Manhattan. Banners advertising the festival flapped from lampposts, posters appeared in shop windows, and information booths and free popcorn stands were erected in strategic downtown locations. For two weeks the city celebrated film, filmmakers and filmgoers.

    “The response to this year’s volunteer recruitment drive has been amazing. At present we have received our full quota of applications for our Volunteer Pool … [and] have begun a Standby List. While we can give you no assurance that you will be assigned to a volunteer shift if you are on our Standby List, you are welcome to send in an application to volunteer. Without the volunteers, the Festival could not operate.”

    While most Festival volunteers have (or wish to have) some connection with the film industry, many are simply passionate about the movies. Volunteers received t-shirts, sports bags, badges, a voucher for a free burrito and access to certain screenings – often without any information about which film they would see. The Festival ran from April 25 to May 7 and I viewed an average of one film per day.


    Air Guitar Nation Posted by Picasa


    Blood of My Brother Posted by Picasa


    Choking Man Posted by Picasa


    Dorothy Day: Don’t Call Me a Saint Posted by Picasa


    East Broadway Posted by Picasa


    Encounter Point Posted by Picasa


    Fat Girls Posted by Picasa


    I Am You Are Posted by Picasa


    Kiss Me Again Posted by Picasa


    Long Time Listener Posted by Picasa


    loudQUIETloud Posted by Picasa


    Middletown Posted by Picasa


    Mission Impossible III Posted by Picasa


    Tell Me Do You Miss Me Posted by Picasa


    The Treatment Posted by Picasa


    Wordplay Posted by Picasa

  • Air Guitar Nation
  • The Blood of My Brother: A Story of Death in Iraq
  • Choking Man
  • Dorothy Day: Don’t Call Me a Saint
  • East Broadway
  • Encounter Point
  • Fat Girls
  • I Am You Are
  • Kiss Me Again
  • Long-Time Listener
  • loudQUIETloud: A Film About the Pixies
  • Middletown
  • Mission Impossible III
  • Tell Me Do You Miss Me
  • The Treatment
  • Wordplay
  • Tribeca Film Festival
  • Chipotle Mexican Grill

  • Children of Uganda

    April 11, 2006

    Children of Uganda, a performing troupe that tours the world every two years, is currently appearing at the Joyce Theatre. The company is comprised of African children whose lives have been affected by AIDS; most are orphans and many have lost aunts, uncles, siblings and cousins, too.

    While their mission — preserving the traditions and beliefs of their East African homeland — is serious, these talented performers sing, dance and play with unbridled energy, exuberance and joy. The youngest member of the company, 6 year old Miriam Namala, absolutely stole the show. Radiant, she dominates every scene in which she appears.

    Unlike earlier tours, this season there is no discussion of AIDS or its affects on Uganda; that information is confined to the performers’ biographies in the Playbill and printed materials that are available in the lobby. This time, the focus is simply on songs, drums, and dance, dance, dance.


    2006 Tour Poster Posted by Picasa

  • Children of Uganda
  • New York Times review of Children of Uganda
  • Joyce Theatre
  • Children of Uganda Study Guide

  • A nation of immigrants

    April 1, 2006

    Give me your tired, your poor,
    Your huddled masses yearning to breathe free,
    The wretched refuse of your teeming shore.
    Send these, the homeless, tempest-tossed, to me:
    I lift my lamp beside the golden door.
    – Emma Lazarus, “The New Colossus,” 1883. Engraved on a plaque at the base of the Statue of Liberty.

    This morning a motley crowd carrying banners and waving flags gathered on Cadman Plaza. In a procession more than a mile long, they walked across the Brooklyn Bridge and into lower Manhattan to protest a bill currently before the U.S. Congress. The proposed legislation, known as H.R.4437, would radically change immigration policies.

    America has long been a nation of immigrants. The laws governing who can enter, who may live and work and go to school within our borders, and who is entitled to social services continually change as the political winds blow.

    H.R. 4437, also known as the Border Security Bill, would (among other provisions) require construction of a 700 mile long fence (1120 km) along the Mexican border and would oblige the federal government to imprison non-citizens who are in the U.S. without the proper immigration paperwork.

    Legalizacion Para Todos Los Inmigrantes
    Legalizacion Para Todos Los Inmigrantes


    Gathering on Cadman Plaza Posted by Picasa


    On the Bridge Posted by Picasa


    Crossing to Manhattan Posted by Picasa


    Supporters waiting in front of City Hall Posted by Picasa


    Rest in pieces HR 4437 Posted by Picasa


    Heading up Broadway Posted by Picasa


    Sisters from Honduras Posted by Picasa


    On daddy’s shoulders Posted by Picasa


    In Foley Square Posted by Picasa


    Protesting pooch Posted by Picasa

  • Library of Congress: H.R.4437
  • CBS News

  • Snowy Sunday leads to Mountainous Monday

    February 13, 2006

    Yesterday brought a record-breaking snowfall. According to Mayor Bloomberg, “New York City has just experienced the biggest blizzard in its history. The 26.9 inches that the National Weather Service measured in Central Park just beat the record of 26.4 inches, set almost 60 years ago in December of 1947.”

    The Sanitation Department responded to the storm swiftly and cleared most of the major streets for traffic before the day ended. This morning New Yorkers woke to a bright, sunny day and the rare joys of newly-formed (and quickly melting) sparkling mountains of snow.

    In a city where few people own private automobiles and well-stocked stores are on nearly every street corner, this bountiful blizzard is more of an occasion for celebration than an inconvenience. Time to skip work and school and break out the skis! Grab something to use as a sled! Find your hat and mittens! It snowed!


    Sledding in Central Park Posted by Picasa


    Skiing across Central Park Posted by Picasa


    Grownups play in the snow, too Posted by Picasa


    A snowman and friends Posted by Picasa


    Dogs walking warily through the snow Posted by Picasa

  • The Mayor’s Statement

  • The Year of the Dog

    February 5, 2006

    Last Sunday, January 29, was the first day of the Chinese Lunar New Year. Today New York City celebrated with the 7th Annual Chinatown New Year Parade.

    The unusually warm and sunny day drew throngs of spectators and marchers and, in honor of the Year of the Dog, the parade included a contingent of colorfully costumed canines. Gung Hay Fat Choy!


    Banging the gong Posted by Picasa


    Red and yellow balloons Posted by Picasa


    Preserve and build affordable housing Posted by Picasa


    Riding a float Posted by Picasa


    Spectators Posted by Picasa


    Green coat Posted by Picasa


    Back of dragon Posted by Picasa


    Dragon Posted by Picasa


    Colored paper fills the air Posted by Picasa


    Red brocade coat Posted by Picasa


    Blue brocade coat Posted by Picasa


    Happy new year Posted by Picasa


    Happy new year Posted by Picasa


    Happy new year Posted by Picasa


    Happy new year Posted by Picasa


    By morning, it will all be gone Posted by Picasa

  • Chinatown New York City
  • China Institute
  • Chinese New Year

  • A New York State of Mind

    February 2, 2006

    No matter where he goes or what he does, New Yorkers will always think of Billy Joel as a native son, a hometown boy who made good. As he nears his sixth decade, the singing, songwriting Piano Man has achieved a phenomenal measure of success: a member of the Songwriter’s Hall of Fame and the Rock and Roll Hall of Fame, he has sold well over 100 million albums worldwide.

    This month Billy Joel launched his first solo concert tour in years. Within days, ticket sales at his New York venue, Madison Square Garden, set a record for the most sold-out shows ever.

    During tonight’s performance, the star of the show proved that he knows how to give his most devoted fans exactly what they want. From his opening, “Hello, New York!” to his closing comment, “Good Night New York! Don’t take any shit from anybody!,” every moment was calculated to please the hometown crowd, and, as he played a set filled with musical references to his hometown and the Long Island region in which he grew up, Billy Joel made it clear that he remains in a New York state of mind.

    From a town known as Oysterbay, Long Island
    Rode a boy with a six-pack in his hand
    And his daring life of crime made him a legend in his time
    East and west of the Rio Grande

    – The Ballad of Billy The Kid

    Sergeant O’Leary is walkin’ the beat
    At night he becomes a bartender
    He works at Mister Cacciatore’s
    Down on Sullivan Street
    Across from the Medical Center

    – Movin’ Out (Anthony’s Song)

    I’ve been stranded in the combat zone
    I walked through Bedford Stuy alone
    Even rode my motorcycle in the rain
    And you told me not to drive
    But I made it home alive
    So you said that only proves that I’m insane

    – You May Be Right

    We took on diesel back in Montauk yesterday
    And left this morning from the bell in Gardiner’s Bay
    Like all the locals here I’ve had to sell my home
    Too proud to leave I worked my fingers to the bone

    – The Downeaster ‘Alexa’

    I cruise from Houston to Canal street
    A misfit and a rebel
    I see the winos talking to themselves
    And I can understand
    Why is it everytime I go out
    I always seem to get in trouble
    I guess I made an impression on somebody
    North of Hester and south of Grand

    – Big Man On Mulberry Street

    I’ve seen the lights go out on Broadway
    I saw the Empire State laid low.
    And life went on beyond the Palisades,
    They all bought Cadillacs
    And left there long ago.

    – Miami 2017 (Seen The Lights Go Out On Broadway)

    It comes down to reality
    And it’s fine with me ’cause I’ve let it slide
    Don’t care if it’s Chinatown or on Riverside
    I don’t have any reasons
    I’ve left them all behind
    I’m in a New York state of mind

    – New York State of Mind


    Not an empty seat in the house Posted by Picasa


    Just the man in the spotlight Posted by Picasa

  • Billy Joel
  • New York Times review
  • Rock & Roll Hall of Fame on Billy Joel
  • Songwriters Hall of Fame on Billy Joel

  • Slava’s Snowshow

    January 22, 2006

    Slava Polunin is a clown. Not a screeching, menacing, kid-scaring clown, but a brilliant, innovative artist in the tradition of Marcel Marceau and Charlie Chaplin. Born in rural Russian in 1979, Slava established a successful studio and theatre company in Leningrad. After nearly four decades of touring in Europe, Slava assembled the highlights of his performances into the award-winning Snowshow, currently at New York’s Union Square Theatre.

    Starring Slava and members of his company, the program is a unique, enchanting, puzzling, ultimately beautifully overwhelming spectacle. The show culminates in the sensory overload of a full-scale blizzard inside the theatre. Tons of “Slava’s snow”(actually shreds of thin paper and silver mylar) pour from the ceiling and are blown about by fans, filling air, seats, hair, pockets, purses and open mouths.

    Theatregoers emerge into Union Square brushing bits of snow from their hats and jackets. For days afterward, they leave a trail around the city as pieces of Slava’s snow slowly work themselves out shoes, hats and cuffs.


    Slava’s Snowshow (photo not shot by me) Posted by Picasa

  • Slava’s Snowshow
  • Slava’s Snowshow
  • New York Times Review: Slava’s Snowshow

  • Charles & Camilla at MOMA

    November 1, 2005

    The Museum of Modern Art is normally closed on Tuesdays, but today metal barriers and law enforcement personnel surrounded the entrance. Inquiring passersby were told simply that “dignitaries” were coming. As night fell, reporters and camera crews assembled in the press areas flanking the front door. Observers started to gather behind the barriers across the street, whispering about what they suspected was about to happen — Prince Charles and his new wife, Camilla, were going to attend a dinner inside the museum

    As 7:00 p.m. approached, a series of limousines began drawing up to the door — the invited guests were arriving. They emerged to a flurry of photographic flashes from the press corps and comments from the New Yorkers assembled on the sidewalk.

    The observers included some dedicated celebrity-spotters who speculated about which stars might appear, discussing them with a familiarity that implied that the speakers and the subjects of their conversation were good friends.

    “I hope Sarah Jessica is coming.”

    “Do you think Matthew will be with her?”

    “No, he has to work tonight.”

    “Oh, that’s right.”

    A few of the assembled called out the names of each new arrival, no matter how obscure or minor the celebrity.

    “Who’s that?”

    “That’s Matthew Modine! Matthew Modine!”

    Who?

    Two reporters from the BBC desperately called out for “Any Britons? Anyone British here?” Unable to find a Brit to interview, they turned to the assembled crowd and asked for reactions. “Why are you here? What do you think of the Prince’s visit?”

    A short, stocky woman in a heavy coat confidently announced the arrival of “Joan Collins! Barbara Walters! Elaine Stritch! Steve Kroft — from 60 Minutes!” When asked how she recognized so many faces, she happily declared that she reads People magazine and “goes to things all the time.”

    Some tried to make a celebrity connection. A 30-something with dirty blonde hair screamed, “Hey, Deb! We’ll see you in Dalton! See you in Dalton! See you in Dalton, Deb! We’ll see you in Dalton! Hey, Deb, see you in Dalton! See you in Dalton! Hey, Deb!” When she was finally rewarded with a smile and wave from television personality Deborah Norville, the apparent target of her cries, the woman proudly turned to those around her and announced that she, like Ms. Norville, hailed from Dalton, Georgia.

    A series of celebrity couples arrived, some scurrying inside without pause, others graciously swanning for the photographers. Donald Trump and his new wife, model Melania Knauss were greeted with cries of “Donald! Donald! I want to be on the Apprentice!” Sting and his wife Trudi Styler heard “Sting! Sting! Look over here, Sting!” Similar shouts greeted the arrivals of Diane Sawyer and Mike Nichols, Barry Diller and Diane Von Furstenburg. When Yoko Ono exited her car, escorted by publisher Jann Wenner, the spectators cried, “Yoko! Yoko! Turn around, Yoko!”

    An enraged New York City detective whirled around, placed his hands on his hips and shouted to the crowd, “How can you people cheer her? That’s the woman who broke up the Beatles!”

    Finally, groups of armored men assembled. Walkie-talkies squawked. Police cruisers blocked both ends of the block. Sirens filled the air. A long, black limousine with the Union Jack flying from the hood slid into place in front of the door, and the royal couple emerged. They waved to the assembled reporters but didn’t turn for the New Yorkers who waited with cell phone cameras in hand, calling, “Hey, Prince! Prince! Here, Prince!”

    The couple of the evening were quickly escorted inside. The consensus of the crowd: they looked different than expected, he older and grayer, she much nicer. The reporters packed up their gear, the crowd dispersed, and the celebrity spotters, turning towards Broadway, regaled each other with tales of the stars they’d seen on other occasions. “At a book signing, it was Jane Powell and Dickie Moore. They live here, you know…”


    Two Sexy Italians Up for Grabs

    September 29, 2005

    Monday morning, a group of sexy Italians appeared in Grand Central Terminal. Under the star-spangled ceiling, a pair of Lamborghini sports cars was parked next to the information booth while four Augusta Brutale motorcycles were in the passageway to Vanderbilt Hall.

    The reason? The Columbus Citizens Foundation is sponsoring two raffles for the benefit of their scholarship fund: Win an MV Agusta Brutale and Win a Lamborghini. A limited number of tickets are for sale and the drawing will be held when the last ticket is sold. Price per ticket? A chance to win the motorcycle is $50; a raffle ticket for the car costs $1,000. More than twenty tickets for the Lamborghini were sold the day they became available.

    Of course, upon seeing the vehicles inside the train terminal, my immediate reaction was “A sports car? But if you won it, where on earth would you park it?” Sometimes I forget that there’s world outside New York where normal, average people have things like long, winding driveways and private garages. In this part of the world, those are ultra-luxury items; even multi-million dollars homes generally don’t include parking spaces, and private garage ownershp is confined to the very, very, very rich.


    Yellow Lamborghini in Grand Central Posted by Picasa


    Black Lamborghini in Grand Central Posted by Picasa


    Agusta Brutale in Grand Central Terminal Posted by Picasa


    Win Lamborghini Gallardo Posted by Picasa


    Win Augusta Brutale Posted by Picasa

  • Columbus Citizens Foundation
  • Grand Central Terminal
  • Lamborghini
  • Lamborghini Club
  • MV Agusta Brutale
  • MV Agusta Brutale USA
  • Jerry Seinfeld’s private garage

  • Broadway on Broadway

    September 18, 2005

    Today the 14th edition of Broadway on Broadway was held in Times Square. This free event features some of Broadway’s best: hit numbers from nearly every musical now on the Great White Way, including performances from some shows that haven’t yet opened (The Color Purple, Sweeney Todd, In My Life) and one from a show that will close later this week (Lennon).

    The logistics are daunting, involving the closing of several of midtown Manhattan’s busiest blocks to traffic, the erection of an enormous stage and the installation of an extensive sound and video system. Television stars John Lithgow and Christina Applegate, currently appearing in, respectively, Dirty Rotten Scoundrels and Sweet Charity, hosted the event.

    Featured shows included All Shook Up, Avenue Q, Beauty and the Beast, Chitty Chitty Bang Bang, Dirty Rotten Scoundrels, Hairspray, Lennon, The Light in the Piazza, The Lion King, Mamma Mia!, The Producers, Rent, Sweet Charity, Sweeney Todd, The 25th Annual Putnam County Spelling Bee and Wicked.

    Representatives of various businesses strolled behind the police barriers distributing free souvenirs to the crowd, including paper fans, newspapers and CDs. The day was gorgeous, the singing was fabulous, the dancing amazing and the spectators enthralled. Darlene Love, currently appearing in Hairspray, had her first hit record (He’s a Rebel) more than 40 years ago and her soaring voice has lost none of its power. Her soulful, stirring rendition of “I Know Where I’ve Been” made her the brightest light on Broadway today.

    There’s a light
    In the darkness
    Though the night
    Is black as my skin
    There’s a light
    Burning bright
    Showing me the way
    But I know where I’ve been
    There’s a cry
    In the distance
    It’s a voice
    That comes from deep within
    There’s a cry
    Asking why
    I pray the answer’s up ahead
    ‘Cause I know where I’ve been

    There’s a road
    We’ve been travelin’
    Lost so many on the way
    But the riches
    Will be plenty
    Worth the price we
    Had to pay

    There’s a dream
    In the future
    There’s a struggle
    We have yet to win
    And there’s pride
    In my heart
    ‘Cause I know
    Where I’m going
    And I know where I’ve been


    Police barriers ensure no traffic on Broadway  Posted by Picasa


    Video screen displays performers onstage Posted by Picasa


    Confetti released during the finale Posted by Picasa

  • Broadway on Broadway
  • Playbill on Broadway on Broadway
  • Broadway World
  • Avenue Q
  • Beauty and The Beast
  • Chitty Chitty Bang Bang
  • The Color Purple
  • Hairspray
  • The Lion King
  • Mamma Mia!
  • Sweet Charity
  • Wicked
  • Darlene Love

  • Four years

    September 11, 2005

    Today a memorial service was held at the site where the World Trade Center once stood. Security was, of course, very tight. A chorus of children sang. A small orchestra played. Politicans spoke. The Secretary of State read a poem by Christina Rossetti, and then the brothers and sisters of the victims read the names and spoke briefly about – and to – those lost four years ago.

    We will be twins forever.”
    I know you are watching over the kids from heaven.”
    Every day brings us closer to the time we’ll be together again.”
    You are my hero.”
    In memory of my brother, my sister-in-law and their unborn child.”
    Thank you for the joy you gave us for 27 years.”
    Our hearts are broken.”
    You were my baby brother. I took care of you all your life.
    You did so much in such a short time.”
    I’m wearing this bright pink because he loved bright colors.”
    We are all proud of you.”
    I’d give up tomorrow for just one yesterday with you.”
    Daddy hasn’t been the same since we lost you.”
    We love you and miss you every day.”
    There was so much you wanted to do and you never had a chance to do it.”
    My brother….”
    My sister….”
    Mi corazón….”

    Four times bells rang out, four times the crowd was silent:

  • 8:46 a.m., when American Airlines Flight 11 crashed into Tower One
  • 9:02 a.m., the time United Airlines Flight 175 dove into Tower Two
  • 9:59 a.m., the moment Tower Two fell
  • 10:28 a.m., when Tower One went down
  • Hundreds of uniformed police and fire officers wore small black ribbons imprinted with “WTC” on their chests, indicating that they served at the site on that day. Many friends and family members literally wore their hearts on their sleeves, attending the service clad in t-shirts and badges printed with the names and photos of those they lost.

    Thousands walked down the massive concrete ramp into the gravel-strewn pit that had served as the foundation of the World Trade Center. Volunteers offered long-stemmed roses to those who were descending. Chaplains stood ready to offer comfort. Red Cross workers circulated with bottles of water, cookies and packets of Kleenex.

    Two shallow pools, edged with planks of raw wood, were erected where the two towers had stood. Mourners propped photos and stuffed animals alongside the edges, dropped flowers, notes and religious symbols into the water, and inscribed notes onto the wood. A childish scrawl alongside a drawing of a dog said, “Dad, I am being good and taking care of the animals.” Nearby, a neat, precise hand wrote, “Nancy, you were the best daughter in the world. I’ll see you soon. Love, Mommy.”

    Some of those assembled scattered rose petals to the wind, or used the flowers and stones to spell out their messages of grief. Several trained therapy dogs patiently allowed shaking mourners to hug them and weep into their golden coats.

    The sky was the same shade of blue. The sun shone at the same angle. But four years later, nothing else was the same.


    The survivors’ staircase Posted by Picasa


    At the bottom of the ramp Posted by Picasa


    Red Cross worker Posted by Picasa


    1WTC stood here Posted by Picasa


    2WTC stood here Posted by Picasa


    The pool filled with roses Posted by Picasa


    Memorial t-shirts Posted by Picasa


    FDNY mourners Posted by Picasa


    Therapy dog Posted by Picasa


    We miss daddy Posted by Picasa


    Jake Posted by Picasa


    Roses on a spot where a steel beam stood Posted by Picasa

  • American Red Cross
  • Bright and Beautiful Therapy Dogs
  • Delta Society

  • Red Dress Running

    September 10, 2005

    A quiet, calm afternoon at City Hall Park. Suddenly, without warning, a horde of … are they men? are they women? performance artists? political activists? monks? … comes running around the corner, heading up Park Row towards Broadway. They are all dressed in red robes. Or, perhaps in … red dresses?

    I jump up to get a closer look. Yes, those are definitely dresses, all kinds of bright red dresses. For moment, my view is blocked by traffic. Three more red-clad runners appear. They stand on a traffic island, waving, screaming and drawing chalk symbols on the pavement.

    Seemingly in response to the shouting and waving, the first group of runners in red dresses turns around and comes roaring back, rounding a corner, startling drivers and pedestrians and hurrying into a dark lane at the edge of Manhattan Island. I run after them and snap a few photos.

    Later, when I get to a computer, I google “red dress” and learn about a worldwide (but previously unknown to me) subculture called the Hash House Harriers that dates back to a running group founded in Kuala Lumpur in the 1930s. What I’d witnessed was announced on the local chapter’s Web site as the:

    Red Dress R*n 2005
    Trail start will be 3:00 p.m. Saturday, Sept. 10th at The Patriot, 110 Chambers St,, off Church. There will be a 2:00 p.m. celebrity makeover hour preceding the start of trail.


    Running up Park Row Posted by Picasa


    Turning the corner by J&R Music Posted by Picasa


    Who are they? What are they doing? Posted by Picasa

  • Booger’s Hash Primer
  • Half-Minds on Hashing
  • Hash Heritage Foundation
  • Go To The Hash
  • Harrier.Net
  • Hasher.Net
  • New York City Hash House Harriers
  • Red Dress Run 2005 flyer

  • Wigstock 2005, Part Two: Offstage

    August 29, 2005

    At Wigstock there is no line dividing the performers and the audience. It is all a show; everyone is both a performer and an observer, an artist and a work of art. The personal is the political. Fantasy is made flesh. Dreams are made visible.


    Heads up! Posted by Picasa


    Glamour at twilight Posted by Picasa


    Her roots are showing! Posted by Picasa


    Read all about it Posted by Picasa


    Blues in the night Posted by Picasa


    Lara Flynn Boy? Posted by Picasa


    Smiling Posted by Picasa


    Superhero Posted by Picasa


    Doris Dazed? Posted by Picasa


    Blowing a kiss Posted by Picasa


    It ain’t easy being queen Posted by Picasa


    Redhead Posted by Picasa


    Orange you glad you saw us? Posted by Picasa


    Blue lips Posted by Picasa


    Red boa Posted by Picasa


    Wigstock 2005, Part One: On Stage

    August 28, 2005

    The Wigstock festival is an homage to excess and over-the-topness. Inspired by a night of clubbing about 20 years ago, the festival has evolved into a more-or-less annual summertime celebration of drag, art and good, dirty fun.


    Lady Bunny in blue Posted by Picasa


    Lady Bunny in a geometric print Posted by Picasa


    Lady Miss Keir and a prisoner of war Posted by Picasa


    The glamorous Candis Cayne Posted by Picasa


    Jimmy James is Bette Davis.  Posted by Picasa


    Mr. Murray Hill Posted by Picasa


    Linda Simpson singing  Posted by Picasa


    Jackie 60’s version of Les Mis Posted by Picasa


    More Mis-ery Posted by Picasa


    Jackie 60’s Les Mis Posted by Picasa


    Lady Bunny in black and white Posted by Picasa


    John Kelly as Joni Mitchell: “By the time we got to Wigstock …” Posted by Picasa

  • Wigstock
  • Lady Bunny
  • Mr. Murray Hill
  • Jimmy James
  • Candis Cayne
  • Lady Miss Kier
  • Linda Simpson
  • John Kelly

  • HOWLing in Tompkins Square

    August 26, 2005

    Allen Ginsberg’s Howl is now 50 years old. When Lawrence Ferlinghetti published and tried to distribute the epic poem, it was seized by U.S. Customs authorities as obscene. The courts eventually found that the poem (laden with words that still have the power to shock) was not obscene, but the headline-making trial brought Ginsberg fame, notoriety and a permanent place in the pantheon of hipsters.

    In honor of Ginsberg’s contributions to “the countercultural heritage of the East Village/Lower East Side”, The Federation of East Village Artists named their annual arts festival the HOWL! Festival of East Village Arts. This year, to commemorate its 50th anniversary, the third annual Howl Festival is hosting a celebration of the poem.

    From the official festival listing:
    Tompkins Square Park – FREE
    FRIDAY, AUGUST 26, 2005, 6:00 PM
    ALLEN GINSBERG POETRY FESTIVAL
    50th Anniversary of the HOWL! Poem
    The Allen Ginsberg Poetry Festival celebrates the spirit of the renowned poet, world traveler, spiritual seeker, founding-member of the Beats, champion of human and civil rights, photographer, songwriter, community activist, teacher, and co-founder of the Jack Kerouac School of Disembodied Poetics. Featuring Anne Waldman, Antler, John S. Hall, and Ed Sanders; HOWL will be read in seven languages and 16 voices.

    I saw the best minds of my generation destroyed by madness, starving hysterical naked …


    Ed Sanders reading an excerpt from Howl! Posted by Picasa


    Reading Howl from a copy of Beat Voices Posted by Picasa


    Anne Waldman reading: “Moloch! Moloch! Nightmare of Moloch!”nbsp;Posted by Picasa


    Antler reading Howl in a Walt Whitman t-shirt Posted by Picasa


    Reading Howl  Posted by Picasa


    Singing Footnote to Howl: “Everyman’s an angel!” Posted by Picasa


    John Hall reading a portion of Howl Posted by Picasa


    Playing music inspired by Howl Posted by Picasa

  • The Federation of East Village Artists
  • Howl Festival
  • Howl
  • Footnote to Howl
  • Wikipedia entry for Howl
  • New York Times Book Review special section on Allen Ginsberg
  • Literary History entry for Allen Ginsberg
  • The Beat Page entry for Allen Ginsberg
  • Interview with Lawrence Ferlinghetti on Howl’s 45th anniversary
  • Lawrence Ferlinghetti Speaks on Howl and Banned Books (click the link under his photo)
  • Ed Sanders
  • Anne Waldman
  • John S. Hall
  • Steven Van Zandt

  • I SAID, give me the ball!

    July 31, 2005

    In some New York neighborhoods amateur basketball is very serious business. This Alpha N Omega League game was held in an East Houston Street playground on the Lower East Side.


    Shouting Posted by Picasa


    Watching Posted by Picasa


    Crouching Posted by Picasa


    Dribbling Posted by Picasa


    Planning Posted by Picasa


    Shooting Posted by Picasa


    Keeping score Posted by Picasa

  • New York Sports On Line

  • Signs, signs, everywhere signs

    July 31, 2005

    A selection of signs seen in Lower Manhattan on a Sunday morning.


    Calvin Klein Jeans on Houston Street Posted by Picasa


    Go vegan, thanks. Posted by Picasa


    Teairra Mari on the Bowery Posted by Picasa


    Rosario’s and Kropps & Bobbers Posted by Picasa


    Help Wanted Posted by Picasa


    Buckle Up New York Posted by Picasa


    MOMA moments

    July 24, 2005

    Located in midtown Manhattan since 1929, the Museum of Modern Art (MOMA) began a vast $858 million expansion and renovation project in 2002. Rather than put the entire collection into storage during construction, or shut down completely, the Museum temporarily moved lock, stock and barrel — along with a selection of masterpieces — to a former stapler factory in Queens.

    A series of blockbuster exhibitions enticed dedicated art lovers to make the long subway trip out to the hinterlands (at least once, anyway), but New Yorkers rejoiced when MOMA finally moved back to Manhattan (the library and archives have permanently relocated to Queens).

    The renovated museum has nearly twice the space of the former facility, including the newly created sixth floor that is currently the site of Pioneering Modern Painting: Cézanne and Pissarro 1865–1885. Seeing how these two masters of French impressionism influenced one another was fascinating (unfortunately, cameras were not allowed inside the show). But on a gorgeous day like this the best place to be was outside in the sculpture garden, enjoying the bubbling fountain, the leafy shade and a cool, creamy cup of gelato.


    Ellsworth Kelly. Colors for a Large Wall. 1951. Posted by Picasa


    Henri Matisse. Dance (I). Paris, Hôtel Biron, early 1909. Posted by Picasa


    Barnett Newman. Vir Heroicus Sublimis. 1950-51. Posted by Picasa


    Picasso sculpture Posted by Picasa


    Security guard on 4th floor landing Posted by Picasa


    Napping in the garden Posted by Picasa


    Aristide Maillol. The River. Begun 1938-39; completed 1943. Posted by Picasa


    Girl at gelato stand Posted by Picasa


    Pablo Picasso. She-Goat. Vallauris 1950. Posted by Picasa

  • Museum of Modern Art
  • ArcSpace: MOMA QNS
  • MOMA QNS
  • Laboratorio del Gelato

  • A midsummer night’s swing

    July 14, 2005

    This is the 17th summer of Midsummer Night Swing, the city’s largest outdoor dance party, which is held on the Plaza at Lincoln Center for the Performing Arts. Last week’s dance was rained out. But on Wednesday evening the rain that had been predicted never arrived … and the eager dancers did.

    The band was hot, the drinks were cold and admission to the Plaza was free. Tickets to the fancy dance floor sold for $15 each but (as all New Yorkers know) you don’t have to be standing on a dance floor to dance. As the sun went down and the lights came up, the Plaza filled with fast-stepping jitterbugs who swirled, twirled and dipped the night away.


    Information booth Posted by Picasa


    Swinging couple Posted by Picasa


    Faster! Posted by Picasa


    Feeling the beat Posted by Picasa


    Dancing under the lights Posted by Picasa

  • Lincoln Center for the Performing Arts
  • Midsummer Night Swing
  • Archives of Early Lindy Hop
  • National FastDance Association

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