Mysteries of Brooklyn: The Painted Kiosk

February 17, 2007

Dere’s no guy livin’ dat knows Brooklyn t’roo an’ t’roo, because it’d take a guy a lifetime just to find his way aroun’ duh f_____ town.
— Thomas Wolfe, Only the Dead Know Brooklyn, 1935

A narrow, wooden pedestrian-only bridge connects Emmons Avenue in Sheepshead Bay to Shore Boulevard in Manhattan Beach. Built in 1880, the span is known as the Ocean Avenue Bridge.

At base of the bridge, at the corner of Shore Boulevard and Exeter Street, stands a shabby wooden kiosk. No signs indicate the purpose of the hexagonal structure. 

On one side of the minuscule building is a boarded up door and an ancient air conditioner clogged with paint. The other five sides feature plywood panels carefully painted with fanciful, colorful scenes. 

Who painted them — and why? A name and date appear on some of the panels, but time has made the script difficult to decipher. Is the date “74″ or “94″? Does the signature say “Salystein”? “Sacystein”? “Szcystein”? “Sackstein”?

For those in the neighborhood, it is just part of the landscape. Every day dozens of joggers and strollers pass without even glancing at the little kiosk or its fantastic menagerie. Just another of Brooklyn’s many mysteries.


The kiosk
Originally uploaded by annulla.


Dog panel
Originally uploaded by annulla.


Fish panel
Originally uploaded by annulla.


Cat panel
Originally uploaded by annulla.


Bird panel
Originally uploaded by annulla.


Flower panel
Originally uploaded by annulla.

Wikipedia: Manhattan Beach
NY Times: Manhattan Beach
Manhattan Beach Community Group
Kingsborough Community College


A Visit to the Brooklyn Museum

January 13, 2007

The Brooklyn Museum is one of the least popular and, unquestionably, most controversial of the nation’s major museums.

Originally planned in the late 1800s as an outgrowth of the Brooklyn Institute of Arts and Sciences, it was meant to be a center of education and research in science, art and natural history. At the time, Brooklyn was not yet incorporated into the City of New York, and the Brooklyn Museum was designed on a scale suited to the ambitions of the vibrant, rapidly-growing city. The massive Beaux Arts building was designed by McKim, Mead & White, then the preeminent architectural firm in the country, and was intended to be “the largest single museum structure in the world.”

The museum has amassed one of the world’s greatest Egyptian collections and is noted for its significant holdings of American and European paintings and more than two dozen American period rooms.

Like most public institutions, over the years the museum has struggled with budgetary constraints, changes in public tastes and shifting political fortunes. However, the Brooklyn Museum has also suffered from a long series of controversial policies and decisions. These range from the destruction of the significant architectural features (the results of ill-conceived attempts to renovate and modernize) to the outrage surrounding many of the choices made by museum director Arnold Lehman.

In recent years the museum’s efforts have shifted from a focus on education to an emphasis on finding ways to increase attendance. It has mounted large exhibits devoted to aspects popular culture including ‘Star Wars’ films, hip-hop performers, photographs of Marilyn Monroe and graffiti, where “hipness,” glitz and glitter were abundant while scholarship seemed to be in short supply.

I appreciate a museum showing me something new or unexpected (in fact, that’s one of the primary reasons I visit) but I want to understand what I’m seeing and why the museum has deemed it worthy of exhibition. And museum-going in New York isn’t cheap. I feel cheated if I have to spend money to reach a museum, pay an admission fee to get in and then find that, in order to learn about the show’s significance and historical context, I’d have to shell out $50 more for a copy of the catalog.

Regardless of whether the information is communicated through signs, brochures, audiotours, docents or some other means, I want to leave a museum feeling that I’ve learned something substantial. All too often, this hasn’t been my experience at the Brooklyn Museum and in response, I’ve stayed away.

However, on October 20, 2006, amidst much hype, the museum opened an exhibition of work by photographer Annie Liebovitz. For months I was able to withstand the ads that adorned every bus shelter and subway car touting the show, the accompanying book and the television documentary, but was unable to ignore the people who asked why I hadn’t yet seen the show. Finally, today, I succumbed to peer pressure and visited the Brooklyn Museum.

The museum must have seriously underestimated the effect their marketing efforts would have, because on this frigid day the entrance line stretched out the front door and down the block. Once inside, museum-goers waited to pay admission, then waited again for admittance to elevators that they went to exhibit floor (special elevators were reserved for members and VIPs), and finally queued up for admission to the rooms where 200 or so of Liebovitz’s photographs hung.

Although she is known primarily for her portraits of celebrities, the show also included photos of Liebovitz’s travels, friends and family. While most of her work was familiar, the surprise of the day appeared in an adjacent area where the startling, extraordinarily lifelike work of Australian sculptor Ron Mueck was displayed.

Two exhibits worth seeing, both diligently patrolled by guards who told visitors to please put away their cameras; taking photographs is forbidden. “Sorry,” they said, “but no pictures are allowed. It’s a museum policy.”


Iggy Pop by Annie Liebovitz
Originally uploaded by annulla.


Mick Jagger by Annie Liebovitz
Originally uploaded by annulla.


Nicole Kidman by Annie Liebovitz
Originally uploaded by annulla.


Susan at the House on Hedges Lane by Annie Liebovitz
Originally uploaded by annulla.


Mask by Ron Mueck
Originally uploaded by annulla.


Baby by Ron Mueck
Originally uploaded by annulla.


Big Man by Ron Mueck
Originally uploaded by annulla.

Brooklyn Museum
Ron Mueck at the Brooklyn Museum
Annie Leibovitz at the Brooklyn Museum
PBS American Masters: Annie Liebovitz
Annie Leibovitz at the Brooklyn Museum (Part 1)
Discord at Brooklyn Museum
Brooklyn Museum Offs Curatorial Depts
Loss of Curators’ Power Seen in Brooklyn Museum
Museum Recruited Donors Who Stood To Gain
Museum Group Adopts Guidelines on Sponsors
Art, Money & Control


Blue Listed Brooklyn

January 11, 2007

In its newly published annual best-of-the-world guide, international travel expert Lonely Planet has named Brooklyn as a top tourist destination.

Brooklyn? Honestly?

Yep, to the astonishment of many native New Yorkers, Lonely Planet’s “Blue List: The Best in Travel 2007” says, “Brooklyn’s booming. Any New Yorker worth their street cred knows the new downtown lies just across the East River.”

The book, a collection of travel tips submitted by Lonely Planet’s readers and staff members, includes a two-page spread on this borough and states that “a cultural movement has emerged” in what they call “the USA’s biggest city-within-a-city.”

Brooklyn? Seriously?

Yes, along with Hawaii and New Orleans, Brooklyn has been singled out as a favorite U.S. destination. While we’ve gotten accustomed to occasionally glimpsing double-decker sightseeing coaches on some of the streets closest to Manhattan, many (OK, most) New Yorkers still have trouble believing that Brooklyn is a hotspot for tourists.

In fact, the inclusion of Brooklyn in latest edition of the best-selling guidebook has made headlines here. The Blue List’s recommendations include the Brooklyn Bridge, Prospect Park, Coney Island and the Mermaid Parade, the Brooklyn Museum and the Jacques Torres Chocolate Factory, all located in what Lonely Plant is calling “the hippest part of New York City.”

Brooklyn? Really?

Yeah, really. So please pardon us while we take a moment to kvell.


Lonely Planet Blue List 2007
Originally uploaded by annulla.

Lonely Planet Blue List 2007
NY Daily News: Brooklyn’s the REAL vacation hot spot
My Fox NY: Brooklyn Top Tourist Spot
NY1: Brooklyn Makes Lonely Planet List
Borough President Marty Markowitz Hails Lonely Planet
Lonely Planet


Bare Chests and Bare Branches

January 6, 2007

Some thought it was frightening, others found it delightful, but all agreed that a 72 degree (22 C) day in January was astonishing. On a date that normally demands hats, gloves, mufflers and heavy overcoats, New Yorkers ventured out in t-shirts, shorts and sandals.

If not for the bare branches overhead, this could have been mistaken for a day in May. Since the unseasonably warm weather came on a Saturday, when most residents were free of commitments to work or school, many families were able to enjoy the sunny weather together.

Brooklynites walked, ran, rode and skated to Prospect Park to jog, picnic, relax, mingle and play. They scampered across still-green lawns flying frisbees and kites, read and picnicked under shadeless trees, romped through the playground and practiced yoga and Tai Chi under the clear blue sky. Tennis rackets shed their covers, volleyball nets were strung up, footballs taken out of closets and a clown made an appearance at the playground.

Tomorrow the temperature will drop 20 degrees; jackets will again be worn, ears will again be covered, tennis rackets and footballs will again be relegated to the closet. But for one bright, shining day, Mother Nature gave Brooklyn a brief, shining, early taste of spring.


The brilliant blue sky above Grand Army Plaza  Posted by Picasa


Sitting in the sun at Grand Army Plaza  Posted by Picasa


Sunbathing on the lawn  Posted by Picasa


Father teaching daughter to play  Posted by Picasa


Playing with a remote-control car  Posted by Picasa


Jogging  Posted by Picasa


Boys on the Harmony Playground  Posted by Picasa


Mastering training wheels  Posted by Picasa


Skateboarding  Posted by Picasa


Making balloon animals at the playground  Posted by Picasa


Muffin the cat, secure in his harness  Posted by Picasa


Climbing the harp sculpture  Posted by Picasa


Crowded roadways  Posted by Picasa


Biker in an Oscar the Grouch shirt  Posted by Picasa


Walking a dog  Posted by Picasa


Reading  Posted by Picasa

NY Times: 72-Degree Day Breaks Record in New York
Prospect Park


Yes, Spelling Counts

January 5, 2007

It isn’t just something your teachers said; in Brooklyn, even vandals know that correct spelling and punctuation are important.

These notes appeared inside the Flushing Avenue IND subway station on a poster for Cedric the Entertainer’s new movie, Code Name: The Cleaner.


Thoe’s are real Posted by Picasa


“Those” – You can’t spell Posted by Picasa

Code Name: The Cleaner
NYC Subway: IND Crosstown, Flushing Avenue
Station Reporter: G Train


Goodbye to the Holidays

January 4, 2007

Tonight they changed the sign on the marquee at the Brooklyn Heights Cinema. The hoiday season is now officially over.


Happy Holidays – Watch More Movies Posted by Picasa

Cinema Treasures: Brooklyn Heights Cinema


Holidays Underground

January 3, 2007

No one would ever mistake a New York City subway station for Rockefeller Center, but if you know where to look, seasonal decorations can be found underground.

The Metropolitan Transportation Authority (MTA) doesn’t decorate the subways (not that anyone would expect them to do so) but they don’t forbid holiday decor, either. The only official policy is a prohibition against anything that would block views into and out of the token booths and train dispatchers’ offices. Other than that, decorations are allowed at the discretion of the station manager.

As a result, every year certain Transit Authority employees take the time to bring a bit of holiday cheer to their subterranean workplaces. Using their own materials and at their own expense, these men and women string tinsel, hang lights and garlands, draw snowmen and stars on whiteboards and even use discarded MetroCards to create tiny, bright pockets of merriment in the dark tunnels.

Time constraints allowed me to capture only a few examples before the decorations were taken down for the season, but if I’m still here next year, I’ll be back and publish more.


Clark Street Station Posted by Picasa


Court Street Station Posted by Picasa


Train dispatcher’s office at Cortland Street Station Posted by Picasa


Tree decorated with MetroCards and TransitCheks  Posted by Picasa

NYC Transit: Subways
Transit Chek
Gothamist: Token Booth Closings


Cadman Plaza Dressed in Holiday Style

December 17, 2006

Cadman Plaza is the closest thing to a “town square” in the borough of Brooklyn. Named for the Reverend Dr. Samuel Parkes Cadman, an early 20th-century Brooklyn minister, the Plaza is located on Court Street at the border of two historic neighborhoods: Brooklyn Heights and Downtown Brooklyn.

If you live in Brooklyn for any length of time, you will surely have to pass through Cadman Plaza to take care of some sort of business. Nearly every subway and bus line stops here and the Plaza is surrounded by government office buildings including Borough Hall, federal and state court buildings and the main branch of the Brooklyn Post Office. Nearby are the Business Library (a branch of the Brooklyn Public Library), the offices of the International Red Cross and the headquarters of the Jehovah’s Witnesses.

The Plaza is only a few minutes away from the Brooklyn Bridge and it serves as a gateway to historic Montague Street and its wealth of brownstones, small shops and restaurants. The space is filled with memorials, statues, benches, fountains and flags and includes lawns (currently being replaced), greenery, trees, shrubs and borders of fragrant roses. This is the location of a year-round Greenmarket and the site of many public protests and community events.

In a community as diverse as Brooklyn, it shouldn’t be surprising that various groups choose to celebrate the season in the ways that fit their beliefs. Here are some of that holiday decorations that Brooklynites have placed on Cadman Plaza.


Christmas Tree sponsored by the Brooklyn Terminal Markets Association Posted by Picasa


Menorah sponsored by Chabad Lubavitch and Congregation B’Nai Avraham Posted by Picasa


Nativity scene sponsored by the Catholic Lawyers Guild Posted by Picasa


Menorah in front of Borough Hall steps Posted by Picasa


Cadman Plaza and Borough Hall Posted by Picasa

NYC: Cadman Plaza Park
Wikipedia: Cadman Plaza
The Business Library


Don’t Knock, Shout

December 16, 2006

Today this sign was posted on the front doors of the Iglesia Antioquia, a Pentecostal church on Brooklyn’s Atlantic Avenue.


Sign on church door  Posted by Picasa


A Day on Sheepshead Bay

November 29, 2006

“If you’d come here five, ten years ago,” said the old waitress, “you would have seen twice as many boats, three times as many restaurants and none of these great big places. Back then the tallest building was three stories high.”

She leaned on the counter, wiped her hands on her apron, and talked about the neighborhood’s many vanished businesses. In recent years, dozens of mom and pop stores have disappeared as real estate developers bought up blocks, demolished the existing structures and replaced them with luxury condominiums.

Similar stories can be heard in nearly every corner of the city but the denizens of this neighborhood are a stubborn lot, and most are determined to stay put here in Brooklyn’s only fishing village, Sheepshead Bay.

The Bay, named after the sheepshead (a large saltwater fish), is renowned for its abundant waters. Fishing once played a vital role in the neighborhood’s economy and the area around the concrete piers on Emmons Avenue still includes several bait and tackle shops, seafood restaurants and clam bars.

While the sheepshead disappeared from these waters long ago, the piers remain crowded with dozens of ducks, gulls, swans and fishing boats. The fleet usually goes out after dawn and returns before dark. The boats are met by shoppers who eagerly swap cooking tips and snatch up the catch of the day, often including flounder, tuna, bluefish and crabs.

A bit further down the road, tucked between the yacht clubs and construction sites, are a few rusted gates. These lead to narrow alleyways crowded with tiny bungalows. Most of the alleys and cottages are what remains of Sheepshead Bay’s first housing development, built around 1920 by a developer named Robert Densely.

A bit farther down the street, past the few retirement homes and “no-tell” motels, Emmons Avenue turns into an entrance to the Belt Parkway. The sand dunes begin where the sidewalk ends. The trails in the sand lead down to a quiet beach, where amateur fishermen patiently throw their nets into the water and haul their evening’s meals from the Bay.


The fishing fleet on the bay  Posted by Picasa


The Brooklyn VI boasts a “Curtious” Crew  Posted by Picasa


The Crystal Marie  Posted by Picasa


Fisherman on deck, filling bag for customer Posted by Picasa


Entrance to Sheepshead Bay Yacht Club  Posted by Picasa


Bernie’s Bait & Tackle  Posted by Picasa


Stella Maris Fishing Shop  Posted by Picasa


Sand dunes  Posted by Picasa


Brush on sand dunes  Posted by Picasa


Cottages at 3082 Emmons Avenue  Posted by Picasa


More cottages at 3082 Emmons Avenue  Posted by Picasa


View of Bay from 3082 Emmons Avenue  Posted by Picasa


View from the center of Lake Avenue  Posted by Picasa


Houses on Hitchings Avenue  Posted by Picasa


Swan  Posted by Picasa


Swans and ducks near the Ocean Avenue footbridge  Posted by Picasa


Ocean Avenue footbridge  Posted by Picasa

WPA Guide: Sheepshead Bay
Wikipedia: Sheepshead Bay
Forgotten NY: Sheepshead Bay
Forgotten NY: Alleys of Sheepshead Bay
Sheepshead Bay Party Boats
NY Fisherman: Sheepshead Bay
Sheepshead Bay Yacht Club
The Belt Parkway


The Sign on Miller’s Famous Restaurant

November 19, 2006

This sign is posted on the door of Miller’s Famous Restaurant at the corner of New Utrecht Avenue and 56th Street in Brooklyn. I didn’t see anyone littering, smoking, spitting or playing a radio near the entrance, so I guess the sign must be working.


Sign on Miller’s door Posted by Picasa

  • Miller’s Famous Restaurant

  • Christmas Fair at “Little Denmark in the Big Apple”

    November 18, 2006

    Housed in a landmark brownstone in historic Brooklyn Heights, the Danish Seamen’s Church is both a house of worship and cultural center for New York’s Danish community.

    The church, which was founded in 1878 by Danish minister Rasmus Andersen, has been in its current location for nearly half a century. This Lutheran congregation’s name comes from one of the church’s primary missions: caring for the thousands of Danish seafarers who come to New York each year. Model ships are displayed in the chapel; an engraved brass ship’s bell is near the door.

    This is the only church the Americas where Danish-language church services are held every Sunday. In addition, the congregation, which refers to itself as “Little Denmark in the Big Apple,” supports a variety of clubs and activities, offers Danish lessons and hosts visiting Danish politicians, musicians, artists and celebrities.

    The biggest event on the church’s calendar is the annual two-day Christmas Fair, which draws such a large crowd that the greater part of the festivities are held a block away at the neighboring Zion German Evangelical Lutheran Church.

    This year’s Fair, held November 17th and 18th, included Danish Christmas ornaments, arts, crafts, products, food and drink. This was a day to enjoy Denmark’s glorious pastry, open-faced sandwiches (smørrebrød), hot dogs, beer and babies.


    Church exterior Posted by Picasa


    Ship’s bell inside the sanctuary Posted by Picasa


    Girl on the stairway Posted by Picasa


    Girl in striped top Posted by Picasa


    Baby in red fleece Posted by Picasa


    Baby tooth Posted by Picasa


    Brothers Posted by Picasa


    Danish hot dogs Posted by Picasa

  • Danish Seamen’s Church
  • Zion German Evangelical Lutheran Church
  • Danish Seaman’s Church Festival

  • Election Day

    November 7, 2006

    I’m fairly diligent about voting. In fact, I can’t remember the last time I missed a major election. Back in September, during New York’s primary, I asked one of the people working at the polls how she got her job. She told me that it was simple; she went to the Board of Elections Web site, downloaded an application and mailed it in.

    It sounded easy enough and looked like an interesting way to spend the day, helping my fellow Brooklynites fulfill their civic duty, so I decided to apply. About a month and a half after submitting my application, I received a post card telling me to report for work at a polling place in South Brooklyn. The card told me the location, the time (5:30 a.m.) and instructed me to “wear my badge.”

    Badge? What badge? I contacted the Board of Elections and was told not to worry, they’d give me a badge when I reported for work. I asked about training; I was sure that the Web site had said something about going to a class. Don’t worry, they said, someone will show you what to do when you get there.

    With that shaky assurance, this morning I grabbed an umbrella, a nutrition bar (it was too early to make breakfast), the postcard and headed out the door just before 5:00. It was still dark. My first surprise occurred when I realized that although there are quite a few delis between home and the polling place, none of them were open at that hour. I’d have to report for duty without any caffeine in my system.

    The polling place was located inside an elementary school. Workers (all of whom appeared to know what they were doing) scrambled to have everything in place so that voting could commence promptly at the stroke of six. About a dozen large gray mechanical voting machines, similar to old-fashioned telephone booths, were arranged the length of one wall. In front of each booth was a folding table and two folding chairs; another folding chair stood next to the booth.

    Each table was covered in papers as workers arranged them into neat piles of affidavits, voters bills of rights, paper ballots and other important forms. Each booth and table was assigned a number. Large-type sample ballots translated into four languages were taped to the walls.

    There weren’t enough pens to go around. There weren’t enough badges. Worst of all, there was no coffee. But promptly at 6:00 the doors swung open and the voters began to come in. Early morning was the busiest time of the day. The rush ended around 9:00, the time that most people were at work.

    This was the procedure: Each voter stepped up to a table, told the worker his or her name and waited while it was found in the registry book. The worker assigned a three-digit number to each voter (001, 002, etc.) and wrote it and the number of the booth into the registry. The voter then signed the book and received a small white slip of paper, about the size of a credit card, upon which the worker had copied all the numbers. Holding the bit of paper, the voter took a few steps forward, handed the slip to another poll worker, and stepped into the booth.

    The worker sitting next to the booth pulled a large lever. The booth’s long gray curtains closed and a white bulb atop the machine lit up. The voter inside the booth clicked the levers for the candidates of their choice, then moved a large red lever which recorded the vote, turned off the white light and opened the curtains. During the height of the morning rush one of the levers got stuck but the workers grunted and yanked, pushed and pulled. Eventually it came free and the democratic process continued.

    Most of the workers were cordial and chatty. Some seemed to misunderstand the rules; one demanded identification from each voter, even though it was not required. Some disappeared for hours at a time, others spent a good portion of the day outside smoking, a few squabbled, one spent all day obsessing about his next feed (he fussed about breakfast, then lunch, then dinner) and several put their heads down on the tables and napped.

    At one point during the day a news crew showed up and shot some footage that never made it onto the air. No one notable came in to cast their vote and, much to my surprise, even though there are many students living near the polling place, very, very few showed up.

    At 9:00 p.m. the doors were finally locked. My table had served a little over 200 people. The votes were counted and recounted to ensure that they had been properly recorded without discrepancies. All the important papers and register books were signed by the workers, placed in large Manila envelopes that were signed and sealed, and turned over to the NYPD police officers who’d kept us company throughout the day.

    By the time I got home the preliminary results were on the news. The system, awkward and cumbersome though it was, had worked. The voters had done their jobs and the poll workers had, too. Now it is up to the winners to do theirs.


    Warning  Posted by Picasa


    Count Every Vote Posted by Picasa

  • NY Board of Elections
  • Poll Worker Positions
  • The Propaganda Remix Project
  • Voting Machine Joke

  • Halloween Parade & Costume Extravaganza

    October 29, 2006

    On this crisp autumn day, canines from Brooklyn Heights and DUMBO gathered for the 2nd Annual Dog Halloween Parade and Costume Extravaganza. About 60 animals and their human companions assembled at the Remsen St. entrance to the Brooklyn Promenade, then scampered to the Harry Chapin Playground for judging.

    The event’s sponsor, Perfect Paws, awarded dog-centric prizes for costumes in categories such as best large dog, best small dog, best store-bought, best homemade and most original. All entry fees from the Parade and Costume Extravaganza are being donated to the Hillside Dog Run and the Brooklyn Animal Resource Coalition (BARC) and will be used to benefit the animals of Brooklyn.


    Parading towards the Playground Posted by Picasa


    Little Orphan Annie Posted by Picasa


    A little witch Posted by Picasa


    Shar-pei cheerleader (sans pom-poms) Posted by Picasa


    Count Dracula Posted by Picasa


    A pig Posted by Picasa


    Dragon & friend Posted by Picasa


    Elvis & clown Posted by Picasa


    In Happy Halloween shirt & bandana Posted by Picasa


    Angel inspecting the judges  Posted by Picasa


    Little Red Riding Hood & Wolf Posted by Picasa


    In a ball gown  Posted by Picasa


    Hot dog with ketchup Posted by Picasa


    Little Elvis Posted by Picasa


    Dorothy from The Wizard of Oz Posted by Picasa


    Fairy princess Posted by Picasa


    Another Elvis Posted by Picasa


    Security dog Posted by Picasa


    Hippie Posted by Picasa


    In a poncho & sombrero Posted by Picasa


    Hula girl Posted by Picasa


    Devil  Posted by Picasa


    Bark Mitzvah boy Posted by Picasa

  • Perfect Paws
  • Harry Chapin Playground
  • Hillside Dog Park
  • BARC
  • The SITS Girls

  • A Peek at One Hanson Place

    October 28, 2006

    When it opened at the corner of Hanson Place and Ashland Place in 1928, this was the tallest structure in Brooklyn. Designed to house the Williamsburgh Savings Bank by architects Halsey, McCormack & Helmer, the profile of its distinctive clock tower and dome led this description in the AIA Guide to New York City:

    Inadvertently, this was New York’s most exuberant phallic symbol … its slender tower dominating the landscape of all Brooklyn. A crisp and clean tower, it is detailed in Romanesque-Byzantine arches, columns, and capitals. The 26th floor once included accessible outdoor viewing space, after a change of elevators … all in all, it is 512 feet of skyline. Inside, the great basilican banking hall is called by the Landmarks Preservation Commission a “cathedral of thrift.”

    The cornerstone is engraved with the seal of the Williamsburgh Savings Bank, the date of its charter and the words, “To our depositors past and present this building is dedicated. By their industry and thrift they have built homes and educated children, opened the door of opportunity to youth and made age comfortable, independant and dignified. By those sturdy virtues they have attained their ambitions, swept aside the petty distinctions of class and birth and so maintained the true spirit of American democracy.”

    Now the building known as One Hanson Place is closed for renovation. When it reopens in about 15 months or so, this building will contain luxury condominiums.


    Scaffolding and banners cover facade  Posted by Picasa


    Hidden behind scaffolding Posted by Picasa


    A peek behind the scaffolding Posted by Picasa


    Gargoyle behind scaffolding  Posted by Picasa


    Base of a column behind scaffolding Posted by Picasa


    Owl on a column Posted by Picasa


    Lions guard the lobby entrance Posted by Picasa


    Arch over door from lobby to street Posted by Picasa


    Mosaic ceiling  Posted by Picasa


    A corner of the tiled, vaulted ceiling  Posted by Picasa


    Detail of elevator door  Posted by Picasa


    Sign at subway entrance Posted by Picasa


    Turtle in subway entrance Posted by Picasa


    Detail in subway entrance Posted by Picasa

  • One Hanson Place
  • Curbed New York: Borders Coming
  • Corcoran: Apartments at One Hanson Place
  • AIA Guide to New York City
  • Audio Tour of One Hanson Place (mp3)

  • Art Under the Bridge

    October 15, 2006

    This weekend the 10th Annual Art Under the Bridge Festival turns the entire DUMBO neighborhood into an enormous art gallery. More than 1,500 artists with ties to this area are participating by showing their work in exhibitions or opening their studios to the public. Many of the artists are present to meet visitors, discuss their creations and explain their visions.

    Streets, shops, cafes and even parked trucks are filled with paintings, sculptures and photography while basements, garages, parks and empty buildings host performances of dance, film, video and music. This is a time to wander in and out of galleries and installations, sample styles and works, explore new media and artists and, perhaps, find something unexpected and wonderful.

    Today’s notable surprises include the Rider Project, a temporary mobile art gallery located in the back of two rented Ryder trucks (the roof of one is adorned with a sculpture of grass that softly undulates in the wind), Micki Watanabe, who makes books that are scuptures that are caligraphy that are art, Ryan Schroeder, creator of molded frozen casein scupltures that melt, run and eventually disappear, Alan Sanchez, whose intricate drawings and assemblages connect science fiction, childlike wonder and engineering, Gautam Kansara, who transforms documentary-like videos of his family into poignant, moving fantasies, and Katrina Remembered: The Coast Is Not Clear, an exhibit of recent works by six Mississippi artists and Brooklyn’s Radhi Chakasani.


    Panel painted on Water St. (1 of 4) Posted by Picasa


    Panel painted on Water St. (2 of 4) Posted by Picasa


    Panel painted on Water St. (3 of 4) Posted by Picasa


    Panel painted on Water St. (4 of 4) Posted by Picasa


    Viewing images from Hurricane Katrina  Posted by Picasa


    At the Katrina Remembered exhibit  Posted by Picasa


    Viewing Katrina Remembered exhibit  Posted by Picasa


    The Rider Project parked on Water Street Posted by Picasa


    Inside the Rider Project  Posted by Picasa


    Standing in the Rider Project truck Posted by Picasa


    Sitting in the Rider Project truck Posted by Picasa


    Sitting near the Rider Project Posted by Picasa


    Artist Hayley Severns Posted by Picasa


    Artist Ryan Schroeder Posted by Picasa

  • D.U.M.B.O. Arts Center (DAC)
  • D.U.M.B.O. Art Under the Bridge Festival
  • Brooklyn Arts Council
  • Smackmellon
  • Art-Anon & the Rider Project
  • Brooklyn Artists Gym
  • Spring Design & Art
  • The ‘temporary Museum of Painting
  • Micki Watanabe
  • Marc Dennis
  • Peter Denmark
  • Jaime Logreira
  • Radhika Chalasani Photography
  • Amy Bennett
  • Gautam Kansara
  • Helen Brough
  • Eduardo Cervantes
  • Sarah Keane
  • Austin Donohue
  • Asuka Kakitani Jazz Orchestra
  • Courier-Life: 30 Blocks of DUMBO
  • Cool Magazine

  • No Sleep Till Brooklyn

    October 14, 2006

    The powerHouse Arena, an enormous new party space on Brooklyn’s Main Street, is owned and operated by avant-garde art publisher powerHouse Books. This weekend the Arena hosted its first event, No Sleep ’til Brooklyn: A Hip Hop Retrospective — a celebration of 30 years of hip hop culture.

    Named for the Beastie Boys’ 1986 hit and held in conjuction with VH1’s 2006 Hip Hop Honors, No Sleep ’til Brooklyn is a look at hip hop from its underground beginnings in the South Bronx to its ubiquitous presence today. Works by featured artists include photos, paintings, drawings, films, video, books, sneakers and, of course, music.

    Visitors filled the space to look at the works on display, sample the products from Brooklyn Brewery, hear music by DJ Synapse and hear from some of the pioneers of the art gallery graffiti scene: Lee Quinones, Diego Cortez and Patti Astor.


    Graffiti-style list of credits Posted by Picasa


    Life size images cover the front windows Posted by Picasa


    Photos taped to the pillars  Posted by Picasa


    Looking up at photos Posted by Picasa


    Visitors leaving their marks on the wall  Posted by Picasa


    Viewing framed works in the corner  Posted by Picasa


    Eliza from Pinkeye Posted by Picasa


    Sitting on the steps  Posted by Picasa


    Diego Cortez, Lee Quinones & Patti Astor Posted by Picasa


    Jane Dixon & Patti Astor Posted by Picasa

  • powerHouse Books
  • powerHouse Arena
  • No Sleep ’til Brooklyn: A Hip Hop Retrospective
  • No Sleep ’til Brooklyn Launch
  • @149st: Patti Astor
  • @149st: Fun Gallery
  • Diego Cortez
  • Lost Object: Diego Cortez
  • @149st: Lee Quinones
  • Pink Eye Personalizations
  • DJ Synapse
  • Licensed to Ill
  • Wild Style
  • Brooklyn Brewery
  • VH1 Hip Hop Honors

  • Mysteries of Brooklyn: The Hidden Grotto

    October 13, 2006

    Dere’s no guy livin’ dat knows Brooklyn t’roo an’ t’roo, because it’d take a guy a lifetime just to find his way aroun’ duh f_____ town.
    — Thomas Wolfe, Only the Dead Know Brooklyn, 1935

    At the mouth of the alley near the corner of 43rd Street and 8th Avenue, between the bar and the plumbing supply store, stands a tall iron gate. Affixed to the front are two signs: the white one says that a garage is available for rent; the yellow sign proclaims in English and Chinese that behind this gate is a private driveway; violaters will be tow and ticket [sic].

    Peeking past the iron bars of gate, beyond the partially-disassembled cars and the tools strewn about the ground, a passer-by can glimpse something that seems out of place — a flash of color out of keeping with this dirty, gray, shadowed space.

    If the workmen are in a good mood they’ll allow you to pick your way through the mazes of tires, wrenches and hoses until you reach the back wall. There you will find a grotto roughly hewn from wood, plaster and pieces of broken stone. The person who built this wasn’t a skilled craftsman, didn’t know how to use a lathe or a level, didn’t know how to move the electrical outlets that were already laid onto the surface.

    But at some point, an unknown person, for unknown reasons, felt compelled to build this grotto in this very spot. Driven by passion or madness, he or she carefully built a series of niches, firmly fixed statues of saints inside them and painted the entire creation.

    Today, the men who labor here know nothing of the hidden grotto, its creator or its meaning. The plaster is crumbling. The paint flakes from the wood. St. Gabriel’s wing is broken; St. Joseph’s robe is chipped; Mary’s blue mantle is marked with patches of gray. But still they stand here, long forgotten, silently keeping watch over the workers and cars. Just another of Brooklyn’s many mysteries.


    The hidden grotto Posted by Picasa


    Madonna with electrical outlet Posted by Picasa


    They call it “Blooklyn”

    October 13, 2006

    You say you’ve been to Chinatown in New York? Which Chinatown?

    The fact is, New York City now has three separate Chinatowns. The oldest is in Manhattan. The largest is in Queens. And the smallest and newest is right here in Sunset Park, Brooklyn.

    Brooklyn’s Chinatown is centered on 8th Avenue between 50th and 60th Streets. It is commonly believed that the Chinese moved here because they consider the number eight fortuitous for business and “8th Avenue” can be interpreted as “the road to wealth.”

    Maybe.

    But a more plausible explanation is that those seeking to escape from Chinatown Manhattan’s crowded, twisting alleys, noisy factories and overflowing tenements appreciated Sunset Park’s clean, grassy recreation areas, the relatively wide streets, an abundance of retail space and a direct subway connection to friends and jobs in the old Chinatown.

    As with the other Chinatowns, many of the most visible businesses here are focused on food – preparing it, serving it, selling it. The curbs are lined with baskets of skittering crabs, tubs of fat, bobbing bullfrogs and Styrofoam coolers of flopping, freshly-caught fish. Vendors stand in tiny pushcarts, transforming thick, eggy batter into hot, puffy cakes ($1 a bagfull) and transforming skewers of marinated meat into hot, sizzling satay ($1 each). Bakeries fill the air with the scents of fresh-browned chestnut bread, lotus cakes, cinnamon crisps and pork buns.

    In terms of charm and quaintness, Chinatown Brooklyn comes in dead last, which means that it is almost completely free of hulking tour buses, pushy sightseers and cheap, tacky souvenirs. If you go, instead of t-shirt shops and Starbucks, you’ll see hundreds of businesses that cater to the residents’ daily needs: insurance agencies, banks, bakeries, pharmacies, acupuncture clinics, hairdressers, tutoring services, cell phone centers, internet cafes, restaurant uniform and supply stores and florists.

    Want to know which shops have just opened? Look near the doorway for an array of green plants festooned with red ribbons, traditionally thought to bring luck to a new enterprise.


    Church notice board Posted by Picasa


    Egg cake cart Posted by Picasa


    Fa Da Mall Posted by Picasa


    Moms doing errands Posted by Picasa


    Price list in beauty salon Posted by Picasa


    Funny dry cleaning shop Posted by Picasa


    Optician’s shop Posted by Picasa


    Sign in deli window Posted by Picasa


    Dried fruit displayed outside shop Posted by Picasa


    Banks at the corner of 55th & 8th Posted by Picasa


    Fresh caught and for sale curbside Posted by Picasa


    New Dawang Seafood Market Posted by Picasa


    Hong Kong Supermarket Posted by Picasa

  • Village Voice: The Other, Other Chinatown
  • Asia’zine: Brooklyn’s Chinatown
  • Chinatown NYC: Brooklyn
  • Prosper with 8 88 888 88888

  • A Place to Watch the Sun Set

    October 13, 2006

    Sunset Park, one of the highest points in Brooklyn, stands at the corner of 43rd St. and 5th Ave. An essential resource for this crowded, working-class community, the hilly, tree-filled park boasts an art deco recreation center for indoor activities, an outdoor swimming pool (now closed for the season), handball and basketball courts, a baseball diamond and rows of game tables that are usually occupied by older people playing chess, mah-johng, checkers and go. A section known as the Rainbow Playground includes swings, slides, jungle gyms, fountains and other play equipment.

    Climb to the top of the bluff and you’ll see the park’s most notable feature – its sweeping views of Lower Manhattan, the Statue of Liberty, the East River, New York Bay, Staten Island and New Jersey. The vista once included a magnificent view the World Trade Center; when the towers were destroyed, residents gathered here to honor and remember the dead. Now this scenic area is the site of the city’s first Living Memorial Grove, a few dozen young trees protected with wire cages and surrounded by thousands of daffodils planted by local schoolchildren.

    There wasn’t time to do it today, but this is the perfect place to settle comfortably on a wooden bench, kick off your shoes and watch the sun slowly sink below the horizon.


    Boy on a swing Posted by Picasa


    Girl hanging from monkey bars Posted by Picasa


    Boy in yellow on a swing Posted by Picasa


    Boys on the playground Posted by Picasa


    Ceiling in Recreation Center Posted by Picasa


    Terra cotta tiles on Recreation Center floor Posted by Picasa


    Fountain in Rainbow Playground Posted by Picasa


    Rear of fountain in Rainbow Playground Posted by Picasa


    View from the top of the hill Posted by Picasa


    Men photographing the Memorial Grove Posted by Picasa


    Looking towards New York Bay Posted by Picasa


    Benches facing west Posted by Picasa

  • NYC Dept Parks & Recreation: Sunset Park
  • NYC Dept Parks & Recreation: Rainbow Playground
  • NYC Dept Parks & Recreation: Sept 11th Living Memorial
  • NYC Dept Parks & Recreation: City’s 1st Memorial Grove

  • Design a site like this with WordPress.com
    Get started