On an excursion to the Upper East Side, I noticed what appeared to be — from a distance — a telephone booth. Sort of. But something about the booth seemed a little bit “off.”
I went closer to investigate and saw that it wasn’t a phone booth at all. A sign posted on the nearby fence explained that this was a sculpture called Public Prayer Booth by artist Dylan Mortimer and said that, “According to the artist, this work is meant to spark dialogue about how private faith functions within the public realm.” Constructed of aluminum, plastic and vinyl, it combines the ideas of a telephone booth and a prayer station and includes a padded, blue flip-down kneeler.
The Kansas City-based artist says, “My goal is to spark dialogue about a topic often avoided, and often treated cynically by the contemporary art world. I employ the visual language of signage and public information systems, using them as a contemporary form of older religious communication systems: stained glass, illuminated manuscripts, church furniture, etc. I balance humor and seriousness, sarcasm and sincerity, in a way that bridges a subject matter that is often presented as heavy or difficult.”
Two Prayer Booths are on display in Tramway Plaza (near the entrance to the Roosevelt Island Tram) until the end of this month.