In a recent issue celebrating its 40th anniversary, New York magazine asked some of its past contributors to reflect on the city they love and the changes they’ve seen over the last 40 years. Here is what Brooklyn-born author Pete Hamill had to say.
In Brooklyn, the visitor, whether native son or total stranger, can experience a very special sense of beauty. Much of it derives from a simple fact: Manhattan is a vertical city, and Brooklyn is horizontal. In a preface to a collection of his short stories, John Cheever once talked about Manhattan when it “was still filled with a river light … and when almost everybody wore a hat.” Hats are making a minor comeback, but in Manhattan, the river light is gone forever.
The reason: the soaring scale of most Manhattan buildings blocks the light. But Brooklyn is still the wide, low borough of light, bouncing off the harbor and the ocean (out by Coney Island), a place of big skies, a place where you can see weather, not simply defend against it. Clouds move swiftly, driven by the wind, or hang in lazy stupor. Storms can be tracked visually, as the immense dark clouds make their tours.
At dawn the sun begins to pass over Prospect Park, Green-Wood Cemetery, then all the way to the Verrazano Bridge, the start of its long day’s journey into the New Jersey night. The light is immanent, muted, a promise. Along the way, every neighborhood is given fresh clarity, every building assumes the kind of volume that depends upon shade as well as light.
In Brooklyn, most building is on a human scale and so the sun can do its work of gilding every surface. You walk for the morning paper, and total strangers say, “Beautiful day.” And you must assent.
I think he’s right, and that his words are too good not to share.