Once again, the organization known as Open House New York has planned a weekend-long celebration of the city’s architectural wonders. Places that are normally off-limits (or at least, very difficult for most people to enter) throw open their doors and allow curious visitors inside.
This is the sixth year of Open House New York Weekend, and each year the number of people and places participating grows. While many sites allow visitors to wander in and out, quite a few require advance reservations. Spaces are few and they fill up quickly, so I considered myself extremely fortunate to nab a spot on the visit to Tom Otterness’s studio.
It would be fair to call Tom Otterness New York’s favorite sculptor. While his name might not be familiar, his work is displayed in public and private spaces around the city. Depending on your point of view, you might consider them whimsical or political, witty or simplistic.
In Manhattan, many of his cartoon-like figures, particularly those in the 14th Street subway station, have been embraced and fondled by so many admirers that their dull finish has become a polished gleam. They also scamper around the Hilton Hotel in Times Square, public schools and parks in Manhattan and a children’s hospital in the Bronx. In Brooklyn, his depiction of an alligator escaping from a sewer is a centerpiece of the MetroTech business complex.
Today, he began greeting visitors to his cavernous Brooklyn studio shortly after 10:00 a.m. The artist showed works in progress, projects still in the planning stages, commissions that were cancelled and completed sculptures. He fielded questions, explained his creative process from initial clay model to finished bronze, sold miniatures and posters of his work, signed autographs and posed for photos with admirers.