Actually, I wish I could forget. But it isn’t possible; everywhere I look there are reminders, and this year their presence is especially heavy — even at home. This is what was in my personal email inbox this morning.
The weatherman predicted that it would be a rainy Sunday and he was right; we had a downpour. At times, the 47,000 people who participated in this year’s AIDS Walk NY were drenched.
But many of those who sign up for this, the world’s largest AIDS fundraising event, view it as more than just a charity fund raiser. In fact, quite a few of the participants – even those who can’t raise any money at all – consider participation something akin to a sacred obligation.
Regardless of the weather, regardless of their own disabilities or discomfort, they push forward on foot, crutches and in wheelchairs, uphill and down, and they somehow manage to complete the 10 kilometer trek around Central Park.
Just past the finish line, up a little hillock, large pieces of cardboard were hung under the shelter of a white tent. There, walkers used felt-tip markers to record their reasons for walking. Thousands stood in the tent and wrote until their messages overlapped and no empty space remained.
No matter why they chose to come out and walk on a wet gray morning, their determination helped raise a total of $6,214,768 and will bring us closer to a cure for the scourge that has taken so many lives and broken so many hearts.
I wasn’t thinking about the significance of the date when I made an appointment for December 31 on the Upper East Side. It was only when I was en route that I realized that to reach my destination, I had to change trains at Times Square. It was still early in the day, but the place was already a madhouse.
When I got to my appointment, I sadly told the person I was meeting that my route had taken me through Times Square. She laughed and said, “Now I know you’re a real New Yorker! Only New Yorkers try to stay away from Times Square on New Year’s Eve — the tourists can’t wait to get there!”
She was, of course, correct, and as soon as our meeting concluded, I made a hasty retreat to Brooklyn, where I spotted this reveler on Montague Street. Happy new year!
All over America, at this very moment, people are peeling, chopping, roasting and baking, busily preparing traditional Thanksgiving meals. But one person in Brooklyn is seeking an alternative to expending all that time, effort and money via a Freecycle Thanksgiving.
Freecycle, if you are not familiar with it, is a simple, rather noble concept: those who have things they can’t use give them freely, as gifts, to those who need them. The object is to reduce waste, save valuable resources and ease the burden on landfills.
Freecycle members contact each other online using message boards operated by the Freecycle Network. While most members post messages describing the items they want to give away, a few request items they want but don’t have.
This “wanted” listing, posted the evening before Thanksgiving, struck me as particularly ambitious and audacious, and I can’t help wondering what type of response it will generate.
In any case, however you choose to celebrate the day, I wish you a happy Thanksgiving.
Canon Expo is held once every five years to showcase the wide range of advanced imaging technologies from the Japan-based corporation’s divisions: Vision, Consumer and Home Office, Office Equipment Print Production and Graphic Arts, Professional Photography, Video and Projection, Broadcast and Communications and Healthcare Technologies.
The exhibit filled 150,000 square feet of the Jacob K. Javits Center on Manhattan’s West Side. Sections of the Expo were designed to replicate art galleries, research laboratories, theaters, printing plants, offices, stages, call centers, photographic studios, medical facilities, a football stadium, fashion shows, printing plants, a skating rink, stadiums and tourist attractions — the types of environments in which Canon products are frequently used.
Canon displayed items that are currently for sale as well as models and prototypes of gear that may be available in the future. One of the most interesting gadgets exhibited was the Cross Media Station, a device still in the planning stages. Simply by placing still or video cameras atop the Station, a user could wirelessly download, view and transmit images — even from multiple devices — while simultaneously recharging them. The designers of the Station were present to answer questions (via a translator) and aid with the demonstration.
A fascinating area dubbed the Canon Gallery displayed outstanding photos as well as the work of the Tsuzuri Project, joint effort of Canon and the Kyoto Culture Association. The Tsuzuri Project is designed to preserve Japan’s cultural heritage by employing the most advanced technology to create and print full-sized high-resolution digital images of screens, paintings and other precious fragile cultural artifacts. The near-perfect replicas are donated to the owners of the original works, who put them on display while placing the treasures themselves in a safe, controlled environments where they can be preserved for future generations.
In another section, physicians (yes, real, licensed ophthalmologists) operated equipment that scans the eye and instantly provides information about whether a patient has, or is developing, a range of serious medical conditions including diabetes, hypertension, glaucoma and macular degeneration.
I was delighted by the opportunity to use Canon’s professional-grade cameras and join the pack on mock-ups of a TV stage and a fashion show (first lesson: those professional cameras and lenses weigh a ton!), and I consulted with the product and technical geniuses about my next camera purchase. One of the most important features? It must be lightweight.
Towards the end of the day, a Canon rep who was answering my questions took me aside and, sotto voce, said, “I’m not supposed to talk about this, but …” He then told me about a camera that Canon is currently developing, noting that it will address just about everything on my “most-wanted feature list” and will be (almost) within my budget. I’m going to start putting my pennies aside for the camera that cannot say its name.
Canon Expo 2010
PC Magazine: Canon Shows Off Concept Cameras at Expo
The Tsuzuri Project (Cultural Heritage Inheritance Project)
Canon Unveils The Future Of Imaging At Canon EXPO 2010 New York
MarketWatch: Canon Unveils the Future of Imaging
This year’s Mermaid Parade was bigger than ever, possibly because this Coney Island institution featured iconic New York musicians Lou Reed as King Neptune and his wife, Laurie Anderson, as Queen Mermaid.
The sidewalks, fire escapes and rooftops were packed with viewers as hundreds, perhaps thousands of marchers, strollers and riders paraded along Surf Avenue. When they reached the police barriers at Astroland, they turned and began the parade again, this time passing through a long, narrow barricaded strip of the Boardwalk.
While the nautically-themed costumes were as clever, colorful and outrageous as ever, some of the participants opted to give their looks topical twists. These included not-so-subtle references to the BP oil disaster in the Gulf of Mexico (mermaids smeared with black paint, pasties shaped like oil wells) and sly nods to this summer’s vampire craze (mermaids with fangs and bloody neck wounds).
But whether they are classic or trendy, flashy or subtle, one thing is certain at this parade: everybody loves a mermaid.
Founded only nine years ago, the Tribeca Film Festival has become a major cultural and economic force in New York City. During the 12 days of this year’s Festival, a great swath of Lower Manhattan was filled with directors, producers, screenwriters, dealmakers, actors, photographers, reporters and volunteers, all rushing through the streets with their distinctive badges flapping in the breeze.
This year more than 5,000 films from around the world were submitted to the Festival. Of those, officials selected 85 feature length films and 47 shorts (amounting to 193.94 miles of film) from 38 countries.
In and around the Tribeca, from April 21 to May 2, banners hung from lampposts, streets were closed, theaters and auditoriums halted normal activities and just about everyone in the neighborhood became a movie-goer and a film critic — including me. Here are the films I saw this year:
Oscar®-winning filmmaker Chuck Workman brings alive the vibrant history of the avant-garde cinema. Through interviews with filmmakers and critics including Jonas Mekas, Kenneth Anger, Su Friedrich, and Amy Taubin, he reveals how this artistic movement highlights subjective vision, sensory experience, and dreams over plot and storyline. Workman couples these conversations with a dazzling array of diverse extracts from experimental films that illuminate for the general audience a qualitatively different kind of moviegoing experience.
- My Own Love Song
In his English-language debut, Olivier Dahan (La vie en rose) sculpts a hyper-stylized and uplifting road movie about family, perseverance, and redemption. Wheelchair user Jane (Renée Zellweger, exceptional) is a fiercely independent ex-singer whose tough exterior hides a secret that has paralyzed her emotional life and career. When her zany neighbor Joey (Forest Whitaker) forces them to skip town, Jane must change her tune. With songs performed by Zellweger and original music by Bob Dylan.
At a carnival, young Josh Baskin (Tom Hanks) wishes he was big-only to awake the next morning and discover he is! With the help of his friend Billy (Jared Rushton), Josh lands a job at a toy company. There, his inner wisdom enables him to successfully predict what children want to buy, making the awestruck, naïve Josh irresistible to a beautiful ladder-climbing colleague (Elizabeth Perkins). But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.
- Rush: Beyond the Lighted Stage (Winner: Heineken Audience Award)
For fans and newcomers to the legendary Canadian band Rush, this is the music documentary to experience. Directors Scot McFadyen and Sam Dunn embark on a comprehensive exploration of this extraordinary power trio, from their early days in Toronto, through each of their landmark albums, to the present day. Sit back and revel in the words, music, and wonder of Geddy Lee, Alex Lifeson, and Neil Peart.
- No Woman, No Cry
More than half a million women each year die from preventable complications during pregnancy or childbirth. In her gripping directorial debut, Christy Turlington Burns shares the powerful stories of pregnant women in four parts of the world, including a remote Maasai tribe in Tanzania, a slum of Bangladesh, a post-abortion care ward in Guatemala, and a prenatal clinic in the United States.
- Into Eternity
Three miles below the earth, the people of Finland are constructing an enormous tomb to lay to rest their share of humans’ 300,000 tons of nuclear waste. To avoid disaster, it must remain untouched for at least 100,000 years. In this poetic, hauntingly beautiful, and thought-provoking doc, Danish filmmaker Michael Madsen ponders how to warn future civilizations that the buried treasure of our nuclear era—unlike the pyramids and great tombs of pharaohs—must never, ever be discovered.
- Cairo Time
In this graceful cross-cultural love story, a happily married woman (Patricia Clarkson) is separated from her husband in the overwhelming city of Cairo. While waiting for his return, she experiences the unique beauty of Egypt with his friend (Alexander Siddig). As their tender friendship blossoms, a series of small yet profound moments changes both of their worlds forever.
With a fresh and intense style, playwright-turned-director Carmel Winters composes a gripping psychological drama about three generations of a family poised to repeat the mistakes of the past. Aisling O’Sullivan (The War Zone) commands the screen as a calloused mother who will do anything to protect her son—even go as far to deny her own past. From the producers of TFF award winner Eden and the Academy Award® winner Once.
- I Scored a Goal
In the history of the World Cup, there are only 55 men who have scored a goal in the final match, and only 34 of them are still living. “I Scored a Goal” is a series of thirty short films, each of which profiles one of these men. The narratives are told in the goal scorer’s own voice — they tell the story of their journey up to the goal, and what the goal meant for them, their team, the game and even their country.
- Last Play at Shea
The intersecting histories of a stadium, a team, and a music legend are examined in a documentary that charts the ups and downs of the New York Mets and the life and career of Long Island native Billy Joel, the last performer to play Shea Stadium. Set to the soundtrack of Joel’s final Shea concerts, Last Play interweaves personal Joel interviews with exclusive concert footage—featuring guests like Tony Bennett and Roger Daltrey.
- Climate of Change
A group of 13-year-olds in India rally against the use of plastics. A renaissance man in Africa teaches villagers to harness solar power. Self-described “hillbillies” in Appalachia battle the big business behind strip mining. Tilda Swinton beautifully narrates this rich and inspiring documentary—from the producers of An Inconvenient Truth—about a world of regular people taking action in the fight to save our environment. Executive produced by Participant Media and the Alliance for Climate Protection.
- Get Low
In 1930s Tennessee, backwoods recluse Felix Bush (Robert Duvall) is feared and shunned by the local townsfolk. Then Felix decides to plan a living funeral to lay his own legend to rest. But behind this surreal plan lies a devastating secret that must get out…. Academy Award® winner Aaron Schneider makes a confident feature debut with this engrossing and slyly funny folk tale of forgiveness and redemption. With Bill Murray, Sissy Spacek, and Lucas Black.
- Please Give
Death, materialism, liberal guilt, adultery, midlife malaise… writer/director Nicole Holofcener (Friends with Money, Lovely & Amazing) makes such topics sing with earnest emotion and devastating humor. Catherine Keener and Oliver Platt star as well-to-do Manhattanites waiting out the death of their crotchety neighbor so they can take over her apartment. Things get messy when they try to make nice with the old lady and her granddaughters (Amanda Peet and Rebecca Hall).
- Sex, Drugs, Rock & Roll
Mat Whitecross (codirector of The Road to Guantanamo) paints a stylized, ripsnorting portrait of mercurial British punk rock pioneer Ian Dury (flawlessly portrayed by BAFTA nominee Andy Serkis). From a troubled childhood and a battle with debilitating polio to the effects of fame on relationships and fatherhood, here are the highs and lows of a life lived sneeringly, unapologetically out loud. With Olivia Williams, Ray Winstone, and Naomie Harris.
Academy Award®-winning filmmaker Neil Jordan (The Crying Game) weaves a visually arresting tale of a lone fisherman (Colin Farrell) who pulls in the sweetest catch of his life—a mermaid-like beauty. But as their passion grows, their dark pasts come to light, and the real world begins to threaten their fairy tale romance. This stunning film will challenge your senses and imagination as fantasy and reality clash on the big screen.
- The Space Between
Lonely flight attendant Montine McLeod (Academy Award® nominee Melissa Leo) becomes responsible for a 10-year-old Pakistani-American boy traveling solo when news of the 9/11 attacks grounds their flight in Texas. After learning of the boy’s direct connection to the tragic events, McLeod musters the compassion she could never afford her own family, and the two embark on a heartrending road trip to meet an uncertain future in New York City.
- The Infidel
Mahmud Nasir (comedian Omid Djalili) may not be the most observant Muslim, but deep down he is a true believer. His life is turned upside down when he learns he was adopted-but most scandalous is that his birth mother was Jewish! And his given name was Solly Shimshillewitz! As Mahmud tumbles into a full-scale identity crisis, a true comedy of religious errors unfolds. With Richard Schiff and Matt Lucas.
- William Vincent
The versatile James Franco (Milk, Spider-Man) stars in the story of William Vincent, a quiet and peculiar criminal uninterested in the fruits of crime. When he falls for a gangster’s (Josh Lucas) favorite call girl (Julianne Nicholson), William is forced to flee New York. But after four years in exile, William secretly returns, intent on rescuing the woman he loves from her dangerous fate.
- Yanqui WALKER and the OPTICAL REVOLUTION
This film explores a now-obscure American expansionist and military dictator, William Walker, who through military force and coercion became president of Nicaragua in 1856. The film blends found footage, documentary photography, ethnographic inquiry, and personal travelogue with experimental film techniques such as hand-processing, optical printing, and time-lapse to detour and derail the various approaches to history-making that have been applied to this story.
- The Travelogues
In The Travelogues, Dustin Thompson creates a more personal story. He travels with his film camera across two continents and compiles a series of mini-narratives, suggestive of loves gained and lost. He generates lyrical images, shot at oblique angles and developed with shifting camera speeds; in each scene, the heightened film grain tends to move the depiction of the natural universe toward abstraction. From the prologue through to the epilogue of his journey, this artist travels a fine line between real and imagined worlds.
- The Arbor (Winner: Best New Documentary Filmmaker)
Brilliantly blurring the borders of narrative and documentary filmmaking, artist-cum-director Clio Barnard beautifully reconstructs the fascinating true story of troubled British playwright Andrea Dunbar and her tumultuous relationship with her daughter. Working from two years of audio interviews, Barnard uses classic documentary techniques, actors, theatrical performance, and Dunbar’s own neighborhood to generate a unique cinematic feast while unraveling the truths of a dark family past.
- The Two Escobars
Born in the same city in Colombia but not related, Andrés Escobar and Pablo Escobar shared a fanatical love of soccer. Andrés grew up to become one of Colombia’s most beloved players, while Pablo became the most notorious drug baron of all time. While adeptly investigating the secret marriage of crime and sports, Michael Zimbalist and Jeff Zimbalist (Favela Rising, TFF ’05) reveal the surprising connections between the murders of Andrés and Pablo.
- Gainsbourg, Je t’Aime… Moi Non Plus (Winner: Best Actor in a Narrative Feature)
From a young man in Nazi-occupied Paris to the sultry crooner who bedded Brigitte Bardot and married Jane Birkin to the vulnerable poet hidden behind a shroud of provocation—Serge Gainsbourg’s is a life large enough for grand treatment on film. One of France’s greatest mavericks is brought back to life (uncannily, by Eric Elmosnino) in this imaginative and visually flamboyant film debut from one of France’s greatest cartoonists.
- Just Like Us
Egyptian-American comic and first-time director Ahmed Ahmed takes us on a hilarious tour from Los Angeles to Cairo, Dubai to Beirut, Riyadh to New York with a gaggle of other stand-up talent, including: Maz Jobrani, Tom Papa, Ted Alexandro, Tommy Davidson, and Omid Djalili (The Infidel). Along the way, taboos of culture and geopolitics are exploded, and a younger generation of both comedy talents and audiences is born.
- Monica & David (Winner: Best Documentary Feature)
Monica and David are in love. Truly, blissfully in love. They also happen to have Down syndrome. Alexandra Codina’s affectionate and heartwarming documentary is an intimate, year-in-the-life portrait of two child-like spirits with adult desires. Supported (and, for more than 30 years, sheltered) by endlessly devoted mothers, Monica and David prepare for their fairy tale wedding and face the realities of married life afterward.
British-Nigerian director Thomas Ikimi builds a thrilling psychological drama around an all-consuming central performance by Idris Elba (The Wire). Black ops operative Malcolm Gray is returning home after a botched mission in Eastern Europe. Holed up in a rundown Brooklyn motel room, he is torn between retribution and personal salvation as he mentally unravels. When the walls close in, his story may be all he can leave behind….
- Meet Monica Velour
In this quirky comedy, Tobe (Dustin Ingram, perfectly cast), an awkward teenage aficionado of 1980s soft-core, sets off in his grandfather’s (Brian Dennehy) used Weinermobile to see his sexual idol perform at a strip club in Indiana. After defending her honor against ruffians who taunt the aging erotic starlet (Kim Cattrall) off the stage, he negotiates his unripe romantic impulses with the reality of her anything but glamorous life as a trailer-park single mother.
- Ticked-Off Trannies With Knives
When a group of transgender women are violently beaten and left for dead, the violated vixens turn deadly divas in this hilariously campy homage to the exploitation films of the ’70s and ’80s (“Transploitation,” anyone?). Loaded with bodacious bods and extreme violence, this revenge fantasy proves that it takes more than balls to get even.
This wake-up-call doc exposes the hidden history of our country’s redistricting wars, mapping battles that take place out of public scrutiny but that shape the electoral landscape of American politics for decades at time, posing a threat not just to democrats and republicans, but democracy as a whole. Featuring stories from nine states, Gerrymandering takes a hard look at the framework of our democracy and how it provides our politicians a perfectly legal way to control electoral outcomes.
- The Trotsky
Like most high schoolers, Leon Bronstein (Jay Baruchel, Tropic Thunder) is having an identity crisis. What differentiates Leon, however, is that he believes he is the reincarnation of Soviet thinker Leon Trotksy and predestined to follow the same path as his namesake. Tackling issues from students’ rights to semi-formal dances, this “revolutionary” comedy will have you united in laughter.
Junior high isn’t easy for anyone— especially if you’re a frizzy-haired, pink-cheeked hermaphrodite like Spork. But when the talent show shines a chance for Spork to show up Betsy Byotch’s mean girls gang, her recently best-friended trailer-park neighbor Tootsie Roll steps up to coach her in booty-poppin’ moves. This ’80s-inspired dance send-up is littered with colorful dialogue from a tween cast with mouths beyond their years.
- The Woodmans (Winner: Best New York Documentary)
The Woodmans are a family united in their belief that art-making is the highest form of expression and an essential way of life, but for photographer daughter Francesca, worldwide acclaim came only after a tragedy that would forever scar the family. With unrestricted access to all of Francesca’s works and diaries, The Woodmans paints an incisive portrait of a family broken and then healed by its art.
- Monogamy (Winner: Best New York Narrative)
Exhibitionism, voyeurism, jealousy, lust. Brooklyn wedding photographer Theo’s (Chris Messina) side business shooting surveillance-style photos of clients on the sly takes an unexpected turn—and creates a rift with his fiancée (Rashida Jones)—when he’s hired by a provocative mystery woman (Meital Dohan). The first narrative feature from Oscar®-nominated director Dana Adam Shapiro (Murderball), Monogamy effectively fuses an absorbing mystery-thriller and a taut relationship drama.
Friday evening, and nearly everyone was in a hurry to get home. But on Brooklyn’s busy Court Street, traffic was at a standstill. Horns were honking. Angry drivers were leaning out their windows, shaking their fists, demanding to know what was going on — was it an accident? A disaster? A drill? What could possibly be so important that it caused the police to close the roadway at rush hour?
I walked past the stalled cars and trucks, beyond the police vehicles and uniformed officers that blocked the street, and saw the center of the commotion: a Good Friday procession assembling outside the oddly named Saints Peter & Paul & Our Lady of Pilar Church at Congress and Court Streets.
I didn’t have time to pause and hear a full explanation, and the only camera I had with me was in my phone. If you know more about this event, or this church, please share the story.
It was created by College Media Journal (CMJ), the magazine that published the first record charts based on college radio airplay. Back when it started in 1980, the CMJ Music Marathon (the Film Festival was added in 1994) provided college radio staffs the opportunity to meet and hear music from new and emerging sources.
Over the years the CMJ Music Marathon and Film Festival has grown and changed, but its primary focus has remained on music that appeals to college audiences.
This year’s Festival featured thousands of musicians at dozens of venues around the city and drew an estimated 120,000 fans, artists, filmmakers, and industry pros. To my surprise, someone gave me a pass to the event. Although I expected a “college music” festival to consist of endless loud party tunes for drunken frat boys (think MTV Spring Break), I was wrong.
In fact, I saw more acts than I could count (including old favorites and new discoveries), performing in a wide variety of genres. The panels, which I anticipated as dull, dry discussions of industry statistics and forecasts, turned out to be entertaining and enlightening. Not to mention the film. Or the parties.
I did remember to take my camera to a few of the events. And if anyone wants to give me a badge to new year’s Festival … I’d be more than happy to accept.
CMJ09 Music Marathon and Film Festival
Wikipedia: CMJ Music Marathon
The Dizzy Gillespie All Stars
Emanuel and the Fear
The Color Fred
Jarrod Gorbel of the Honorary Title
Darcy James Argue’s Secret Society
Le Poisson Rouge
Judson Memorial Church
Rockwood Music Hall
Gawker: Norwood: A Club For The Artistic And Talented
MTV Spring Break
Why is a full sized windmill turning right in the middle of Broadway?
It is part of the celebration of the Dutch arriving in New York 400 years ago, New Amsterdam Village was temporarily constructed, just below Bowling Green Park, at Broadway and Beaver Streets. The village contains booths designed to resemble traditional Dutch canal houses. Some sell traditional foods and products, including cheese, herring, stroopwafels (sweet waffle cookies), flowers and wooden shoes – and yes, even a windmill.
In an open area, intended to represent the village square, a variety of musical acts performed for passersby. The highlights were the raucous numbers from Dynamo, a colorfully costumed youth marching / dancing / percussion / kazoo group, the unexpectedly diverse and humorous repertoire of Kleintje Pils, a brass band clad in traditional striped smocks and wooden shoes and Jan David performing “Miss Sunshine,” the song he composed in honor of NY400.
What started as a simple Brooklyn block party has grown into the biggest Bastille Day celebration in the U.S., featuring French food, drink, games and music. Today, several blocks of Smith Street were closed to traffic so South Brooklyn could again celebrate the anniversary of the storming of the Bastille.
Once traffic was stopped and vehicles moved, the street was filled with tons of sand. Wooden beams were arranged on the sand, dividing it into courts for the petanque (bowling) tournament. Banners were hung, music played, and bars, tables and chairs were set out for spectators. At the corner of Atlantic Avenue, platforms and ramps were erected for a skateboarding exhibition.
Local bars and restaurants erected tents where they could sell food and drink, corporate sponsors brought piles of pens, hats and sunglasses to give away, and a replica guillotine — including a bloody blade — was placed in the center of the street. The party began at 11:00 a.m. and officially ended at 10:00, although stragglers (and those who’d sampled a bit too much pastis) lingered far longer in the night while visions of Marseilles danced in their heads.
Vive la République! Vive la France!
Now in its 17th year, the Dyke March NYC is a protest, not a parade. The people who participate in this annual event are motivated by a desire to increase their visibility and make their voices heard.
Thousands of dykes take over the streets every year in celebration of lesbians and to protest against ongoing discrimination, harassment, and anti-lesbian violence in schools, on the job, in our families, and on the streets.
The march goes down Fifth Avenue from Bryant Park to Washington Square. While the organizers never obtain permits for the march, the NYPD takes a rather benevolent view. All along the route, police officers block traffic, pose for photos, wave and generally enjoy Dyke March duty.
Even though it rained during most of the march, one police officer remarked, “Watching these women is the highlight of my week.” I hope you agree.
Police cars lead the way
Police and marshalls stop traffic
Here come the marchers
Drummers keep the beat
The rain didn’t dampen spirits
Finally, the storm tapered off
Marchers were drenched but happy
Some were silly, too
Kids also participated
NYPD posing and grinning
Spectators’ signs were wet but legible
Marchers carried signs, too
You don’t need a sign to carry a message
A marshall in her “uniform”
Dancing in the street
A couple with a message
Walking in the sunshine
Visibility was important
So was togetherness
Her shirt says “I love my two moms”
The march ended at Washington Square Park in Greenwich Village
These marchers were inspired by the Village People
The mood in the park was celebratory
Rainbows appeared everywhere
Even on flags
Veterans of past marches sat and sang together
Even visitors to the city showed their pride
The metal signs were propped up on the sidewalk. The flags and banners were hung from the awning. The street was closed, the carnival attractions arrived and the tables and chairs were assembled outside the front door. Most importantly, the yayas (grandmothers) were cooking. And cooking. And cooking.
It was time once again for the festival run in Downtown Brooklyn by Saints Constantine and Helen Greek Orthodox Cathedral. Now in its 32nd year, the annual week-long event is one of the biggest fund raisers for the church that has stood here since 1916.
The cathedral is more than just a place of worship; for nearly 100 years, it has served as the center of Greek life in Brooklyn. Many parishioners cheerfully put their business affairs aside for the week and devote their labors to ensure the festival’s success. The attractions include a “white elephant” sale and gift shop, music, kiddie rides and, of course, the food. The barbeques for gyros, souvlaki and grilled octopus were set up in the street, the trays filled with moussaka, pasticio, dolmades, spanakopita, keftedes and pastries — all based on old family recipes — were on the tables under the tent.
The music played, the kids giggled and ran, the younger people manned the grills, the yayas kept an eye on the money box while serving heaping helpings of everything and the men, just as they do in Greece, sat together swapping stories, making plans and watching the passing scene. Oopa!
Today (once again) I dragged myself out of bed at dawn on a drizzly Sunday morning to participate in AIDS WALK NY. And once again, this, the world’s largest AIDS fundraising event, was a complete success.
Despite the unseasonably wet, chilly weather and the rotten economy, 2,000 volunteers and 45,000 walkers came out. When all the money was counted, we’d raised a total of $5,603,409 for organizations devoted to the fight against AIDS, including prevention, treatment and the search for a cure.
Here are some photos taken at Checkpoint #1, which is one-quarter of the way through the 10 kilometer route in and around Central Park.
The Easter Parade is a long-standing New York tradition. From 10:00 a.m. to 4:00 p.m, the city closes Fifth Avenue from 49th to 57th Streets so that New Yorkers wearing wacky hats can stroll along, pose and be admired. As always, the hats were colorful and creative, the photographers were plentiful and, after a week of rain, the sunny day ensured that spirits were high.
God made the two great lights: the greater light to rule the day, and the lesser light to rule the night . . . And it was evening and it was morning, a fourth day.
—Genesis 1:16, 19
One who sees the sun at its turning point should say, “Blessed is He who reenacts the works of Creation.” And when is this? Abaya said: every 28th year.
—Talmud, Tractate Berachot 59b
It happens once in a generation: The moment when, according to Talmudic tradition, the sun returns to the same position, at the same time and day, that it appeared at the beginning of all creation. Observant Jews mark the occasion, which occurs every 28 years, with a special blessing called Birkat Hachamah, the sun blessing.
Today, Birkat Hachamah ceremonies large and small were held around the world. This one, organized by Rabbi Aaron L. Raskin of Congregation Bnai Avraham and Chabad of Brooklyn Heights, took place on the steps of Borough Hall.
This kid reminds me of Kenny from South Park
Congregation Bnai Avraham
Chabad of Brooklyn Heights
Birkat HaChamah, The Blessing of the Sun, 2009
NY Times: For Jews, Another 28 Years, Another Blessing of the Sun
Bless The Sun
Chabad: Thank G-d for the Sun
Kenny from South Park
An overwhelming majority of New Yorkers voted for Barack Obama last November, and many thought of today as “our” inauguration day.
Across the city, workers took the day off to celebrate with friends and family, students watched the inauguration ceremonies from their classrooms, and residents and tourists flocked to see the pomp and circumstance unfold on enormous screens that were erected in several locations.
Of course, the souvenir vendors were out in force, too, selling mementos of the day Barack Obama became the 44th president of the United States.
The tradition began on New Year’s Eve more than a century ago, when an iron and wooden ball covered with light bulbs was lowered from a flagpole at One Times Square.
Over the years the ball has been replaced several times, and tonight a new Times Square New Year’s Eve Ball is making its debut. The latest version is a 12 foot geodesic sphere, twice the size of previous balls, and weighs 11,875 pounds (5,386.5 kilos). The new ball is covered in 2,668 Waterford crystals and illuminated by 32,256 LEDs, giving it a palette of more than 16 million colors and the capability of producing billions of kaleidoscopic patterns.
In another first, the new ball will not be put into storage on New Year’s Day. Instead, the New Year’s Eve Ball will now remain on display at One Times Square all year round. Here is a sneak peek at some of the patterns and colors the ball will display tonight.
Have a happy new year!
This year, for the first time, the Mars candy company is sponsoring a “New Year’s Eve Wishing Wall” in the Times Square Information Center at Times Square.
They say, “Share your personal goals, dreams and wishes on a piece of confetti on our New Year’s Eve Wishing Wall, presented by 3 Musketeers® Mint. You can [also] submit your wish via our online form … the wishes will be collected at the end of the year, and added to the confetti that will flutter down onto the streets of Times Square at the 12 o’clock hour on New Year’s Eve.”
The lighting inside the Information Center is dim, and I didn’t have a great flash with me, but I thought some of the wishes I read were worth sharing. They range from the silly to the selfless. Here is a sampling the dreams that have been pinned to the wall. As always, click on a photo to see a larger image.
The colors of the lights atop the Empire State Building change throughout the year to reflect holidays and special events. Right now they are red and green in honor of Christmas. The next scheduled change will occur on January 6, 2009.
If you’d like to keep up with the lighting changes, and you are using a Mac, you can download the What Color is the Empire State Building widget to your desktop. Just click the link below.