A Tribute to Nuala O’Faolain

June 24, 2008

Four years ago I was fortunate enough to travel to Ireland. Unlike many foreigners who visit the Emerald Isle, I wasn’t there to conduct business, meet up with long-lost relatives or search for my “Irish roots.”

The trip was almost a last-minute decision; it was 2004, the year the Republican Party decided to hold their national convention in New York City. As local authorities issued dire predictions about the chaos and congestion that would accompany the event, I opted to leave town and skip the whole mess. Tickets to Dublin were cheap and available, so I flew there shortly before the convention began and didn’t return to New York until it was over and the protesters and politicos had all gone home.

While I was in Dublin, I met a woman who gave me a copy of a book entitled Are You Somebody? and urged me to read it. That was my introduction to Irish author Nuala O’Faolain (pronounced new-lah oh-fway-lawn), who died a few weeks ago. Tonight I attended a tribute to the famously brilliant and cantankerous author at the main branch of the New York Public Library.

The room was packed with friends, colleagues and admirers who came from as far away as Ireland to honor the woman who said, in one of her last interviews, “I’m not nice or anything — I’m not getting nicer. I’m sour and difficult you know….I think look how comfortably I am dying, I have friends and family, I am in this wonderful country, I have money, there is nothing much wrong with me except dying….I kinda hoped there was some kind of way of fading away, that you lay on your bed and you were really a nice person and everyone came and said goodbye and wept and you wept and you meant it.”

A Tribute To Nuala O’Faolain

Tue Jun-24 at 7:00PM

The New York Public Library
Fifth Avenue and 42nd Street
NY, NY 10018
(Enter on 42nd St)

Friends and fellow Irish writers of Nuala O’Faolain, who died in Dublin on May 9, will gather to pay tribute to one of Ireland’s best-loved writers.

Internationally known for her searing memoir, Are You Somebody, as well as her acclaimed first novel, My Dream of You, O’Faolain was widely respected in Ireland as an award-winning television producer, journalist, and columnist for The Irish Times before her memoir caused a sensation on its publication in 1999. Her unblinking, unsentimental description of an impoverished Irish childhood that struck a cord with readers world-wide became a New York Times bestseller.

Frank McCourt, Paul Muldoon, Fintan O’Toole, Polly Devlin, Julie Grau, Sheridan Hay, John Low-Beer, and others will honor Nuala O’Faolain’s life with reminiscence, traditional music, and readings from her work.

Special live musical performance by vocalist Susan McKeown, guitarist Eamon O’Leary, fiddler Dana Lyn, and piper Ivan Goff. During March 2005, McKeown appeared with O’Faolain at LIVE from the NYPL.

About Nuala O’Faolain
Nuala O’Faolain is the author of Are You Somebody, My Dream of You, Almost There, and The Story of Chicago May. Her first memoir is often seen as a feminine, and feminist, counterpart to Frank McCourt’s Angela’s Ashes. “A lot of us suffered in the Ireland of my day,” she later said. “We came out of a culture where women were utterly powerless and children had no value. If you were hit at school you were hit at home for being hit at school. The only education a lot of us got was in neglect and being unloved.”

And yet, O’Faolain’s humanity softened her observations and her humor was irresistible. Despite being a well-known opinion columnist, a television and radio commentator, and bona fide celebrity, her work often chronicled her own sense of personal failure. She turned her vulnerability into a strength that enabled her to empathize with ordinary people’s fears and hopes. Her opinion column developed from a broadly feminist commentary to a narrative that spanned all aspects of the human condition. Her memoirs touched many readers, who responded by sending her hundreds of letters with their own tales of unhappiness and failed family life.

A resident of Manhattan for the past seven years, O’Faolain ascribed her affinity for the city to her experience growing up one of nine children. “When you live in the middle of mayhem for so long, you grow to need mayhem to construct peace within it.” As Maura Casey wrote in an Appreciation in the New York Times: “Although her mortal life has ended, her words, her sympathy and insights, are here. Her writing helped her legions of readers believe in her and in the validity of their own experiences.”

About Polly Devlin
Polly Devlin is an author, journalist, broadcaster, filmmaker, and conservationist. In 1994 she was awarded an OBE for services to literature. She has been a columnist for the New Statesman, features editor for Vogue, and had her own page in the Evening Standard. She has published eight books, including a memoir. All of Us There, a novel, Dora, a guidebook to Dublin, and, most recently, A Year in the Life of an English Meadow.

About Julie Grau
Julie Grau is Senior Vice President and Publisher of Speigel & Grau, a division of Random House. Previously she was Vice President and Publisher of Riverhead Books, where she edited Nuala O’Faolain’s novel, My Dream of You, her memoir, Almost There, and her work of biography, The Story of Chicago May.

About Sheridan Hay
Sheridan Hay is a novelist, editor, and teacher. She met Nuala O’Faolain in 1999 and remained a close friend until her death.

About John Low-Beer
John Low-Beer and Nuala O’Faolain met in 2002 and registered as domestic partners a year later. An attorney for the City of New York and a former professor of sociology, Low-Beer lives in Brooklyn with his daughter, Anna.

About Frank McCourt
Frank McCourt received the Pulitzer Prize and National Book Critics Circle Award for his memoir Angela’s Ashes. He is also the author of ‘Tis and Teacher Man, both international bestsellers. McCourt appeared with O’Faolain and others for “Silence, Exile and Cunning: What’s So Irish About That Anyway” on March 15, 2005, at LIVE from the NYPL.

About Paul Muldoon
Paul Muldoon teaches at Princeton University and is an Honorary Professor in the School of English at the University of St Andrews. He held the chair of Professor of Poetry at Oxford University five years and he is an Honorary Fellow of Hertford College, Oxford University. In 2003 he won the Pulitzer Prize in poetry and in 2007, he became poetry editor of The New Yorker.

About Fintan O’Toole
Fintan O’Toole is a literary critic, historical writer, and political commentator. He is known for his commentary on a remarkably wide-ranging number of subjects—cultural, historical, political, social and economic. O’Toole has written for the Irish Times since 1988 and was drama critic for the New York Daily News from 1997 to 2001. He is the author of more than ten books.

frank mccourt 2
Frank McCourt after the tribute (taken with borrowed camera)

frank mccourt
Frank McCourt inside the NYPL (taken with borrowed camera)

Are You Somebody?
My Dreams of You
Independent.ie: Nuala O’ Faolain interview: ‘I don’t want more time.”
New York Times: Nuala O’Faolain, 68, Irish Memoirist, Is Dead
Eircom.net: Poets, writers and musicians in Stateside tribute to much-loved figure
Huffington Post: A Tribute to Irish Writer Nuala O’Faolain


Post-Bang with Lynda Barry

June 6, 2008

Author, teacher, humorist, cartoonist, muse, Lynda Barry is an American original. She is brilliant, creative, dedicated and inspirational, yet somehow the fame and fortune (especially the fortune) she deserves have managed to elude her.

Instead of being a household name, she is more of a cult figure. While a devoted fanbase worships her every jot and scribble, she still struggles to have her work published and derives most of her income by selling sketches on eBay.

Tonight, Lynda spoke as part of Post Bang: Comics Ten Minutes After the Big Bang!, a symposium on the growing cultural significance of comics sponsored by New York Institute for the Humanities at NYU with the Museum of Comic and Cartoon Art (MoCCA). This was a serious academic event which described Lynda’s appearance thusly: “Harvard scholar Hillary Chute in conversation with one of the country’s foremost alternative cartoonists, LYNDA BARRY (Ernie Pook’s Comeek, The Good Times are Killing Me, What It Is).”

I’ll never understand why Americans think nothing of paying $5 for a fancy cup of coffee that lasts only a few minutes, or $100 for a pair of sneakers that will wear out in a few months, yet balk at paying $20 for a book that is sheer genius and will last a lifetime. C’mon, give the red-headed lady some respect.

If you have any interest at all in creativity, writing, conquering the internal demons that prevent you from telling your stories or learning how to be your own muse, please buy (or at least read) What it Is.

6142kXuxjDL._SS500_
What it Is

P1012382
Lynda Barry

What It Is
Lynda Barry’s shop on eBay
Marlys Magazine
Post Bang: Comics Ten Minutes After the Big Bang!
Museum of Comic and Cartoon Art (MoCCA)
Drawn and Quarterly publishers
NY Times: How to Think Like a Surreal Cartoonist
My Shrine to Lynda Barry
National Public Radio (NPR): Lynda Barry on What it Is
Salon: Lynda Barry, Barefoot on the Shag


Brooklyn Book Festival 2

September 16, 2007

For the second year in a row, the Brooklyn Book Festival was held in and around Borough Hall.

Authors, poets, publishers, booksellers, writer’s organizations and (most importantly) readers gathered for discussions, recitations, meetings, entertainment and inspiration. Anyone who believes that the Internet has made the printed word obsolete would have gone into shock as thousands of books were eagerly signed, sold, swapped, coveted and devoured.

The day’s festivities included book-related crafts for kids, a poetry slam, acting troupes performing excerpts from classics, literary triva games and crossword puzzles, and the Brooklyn Public Library kicking off a borough-wide “Big Read” of Harper Lee’s beloved novel To Kill a Mockingbird.

Participating authors included:
Chris Abani, The Virgin of Flames, GraceLand, Hands Washing Water
Megan Abbott, Die a Little, The Song is You, Queenpin
Harry Allen, Hip-Hop Activist and Media Assassin
Sinan Antoon, I’jaam: An Iraqi Rhapsody, The Baghdad Blues

Doreen Baingana, Tropical Fish: Stories from Entebbe
Dan Barber, Chef’s Story
Wayne Barrett, Rudy!, Grand Illusion: The Untold Story of Rudy Giuliani and 9/11
Moustafa Bayoumi, coeditor: The Edward Said Reader
Phil Bildner, Barnstormers, Playing the Field
Michael Ian Black, comedian
Shane Book, Gathering Ground, Revival, Breathing Fire 2
David Bouley, East of Paris, Chef’s Story
Libba Bray, A Great and Terrible Beauty; Rebel Angels
Gloria J. Browne-Marshall, Race, Law, and American Society
Michael Buckley, The Sisters Grimm
Marina Budhos, Ask Me No Questions, The Professor of Light

Alyssa Capucilli, Biscuit
Jim Carroll, The Basketball Diaries, Forced Entries, Fear of Dreaming: The Selected Poems
Dominic Carter, No Momma’s Boy
Stephen Carter, New England White, The Emperor of Ocean Park
Ana Castillo, Peel My Love Like an Onion, So Far from God
Rajiv Chandrasekaran, Imperial Life in the Emerald City: Inside Iraq’s Green Zone
Colin Channer, Waiting in Vain, Passing Through
Cassandra Clare, City of Bones
Staceyann Chin, Skyscrapers, Taxis & Tampons
Troy CLE, The Marvelous World: The Marvelous Effect (Book One)
Joseph Coulson, The Vanishing Moon, Of Song and Water

Steve Dalachinsky, The Final Nite & Other Poems
Edwidge Danticat, Breath Eyes Memory, The Dew Breaker, Brother I’m Dying
Randall DeSeve, Toy Boat

Daniel Ehrenhaft, The Wessex Papers Volumes 1-3, 10 Things to Do Before I Die

Mike Farrell, Just Call Me Mike: A Journey to Actor and Activist
Jeffrey Feldman, Framing the Debate: Famous Presidential Speeches and How Progressives Can Use Them
Joshua Ferris, Then We Came to the End: A Novel
Laura Flanders, Blue Grit: True Democrats Take Back Politics from the Politicians
Paula Fox, The Slave Dancer, One-Eyed Cat

Mary Gaitskill, Veronica, Two Girls Fat and Thin, Bad Behavior
Laurie Garrett, Betrayal of Trust: The Collapse of Global Public Health
Amitav Ghosh, The Glass Palace, The Hungry Tide
Myla Goldberg, Bee Season, Wickett’s Remedy, Time’s Magpie
Wayne Greenhaw, King of Country, Ghosts on the Road, The Thunder of Angels
Ben Greenman, A Circle is a Balloon and Compass Both, Superbad, Superworse
Eliza Griswold, Wideawake Field: Poems

Kimiko Hahn, The Narrow Road to the Interior: Poems, The Artist’s Daughter: Poems
Ayun Halliday, The Big Rumpus, No Touch Monkey!, Job Hopper, Dirty Sugar Cookies
Pete Hamill, The Gift, Downtown: My Manhattan, Why Sinatra Matters
Dorothy Hamilton, Chef’s Story
Jonathan Hayes, Hard Death, Precious Blood
Tad Hills, Duck and Goose, Duck Duck Goose, Waking up Wendell
Steve Hindy, Beer School: Bottling Success at the Brooklyn Brewery
Jeff Hobbs, The Tourists: A Novel
A.M. Homes, The Mistress’s Daughter, This Book Will Save Your Life
Charles Hynes, Triple Homicide

Uzodinma Iweala, Beasts of No Nation

Simon Jacobson, Toward a Meaningful Life
Joyce Johnson, Minor Characters, Missing Men, Door Wide Open

Chuck Klosterman, Sex, Drugs and Cocoa Puffs: Low Culture Manifesto
Seth Kushner, The Brooklynites

Anthony LaSala, The Brooklynites
John Leland, Hip, Why Kerouac Matters
Jonathan Lethem, The Fortress of Solitude, Motherless Brooklyn, You Don’t Love Me Yet
Gail Carson Levine, Ella Enchanted, The Fairest, Magic Lessons
Tao Lin, Eeeee Eee Eeee, Bed
Phillip Lopate, Getting Personal, Waterfront, Totally Tenderly Tragically
Errol Louis, Grameen’s Lessons. (Grameen Bank): An Article from: Dollars & Sense

Kam Mak, My Chinatown, The Moon of the Monarch Butterflies
Melissa Marr, Wicked Lovely
Bernice McFadden, Nowhere is a Place, Camilla’s Roses, Loving Donovan, Sugar
Joe Meno, Hairstyles of the Damned, Boy Detective Fails, Tender as Hellfire
Susanna Moore, My Old Sweetheart, In the Cut, The Big Girls

Mohammed Naseehu Ali, The Prophet of Zongo Street
Gloria Naylor, 1996, Mama Day, The Women of Brewster Place
Sharyn November, Firebirds, Firebirds Rising

David Ottaway, Afrocommunism, Chained Together

George Packer, The Assassin’s Gate: America in Iraq, The Village of Waiting
Antonio Pagliarulo, A Different Kind of Heat, The Celebutantes: On the Avenue
Gregory Pardlo, Totem
Christian Parenti, The Freedom: Shadows and Hallucinations in Occupied Iraq
Matt de la Peña, Ball Don’t Lie
Neal Pollack, Alternadad, Beneath the Axis of Evil
Katha Pollitt, Reasonable Creatures, Virginity or Death!
Francine Prose, Blue Angel, A Changed Man, Reading Like a Writer

Sharon Robinson, Safe at Home, Jackie’s Nine, Promises to Keep
Anthony Romero, In Defense of Our America: The Fight for Civil Liberties in the Age of Terror

George Saunders, In Persuasion Nation, CivilWarLand in Bad Decline
Jon Scieszka, The Stinky Cheese Man and Other Fairly Stupid Tales, Cowboy and Octopus
Ken Siegelman, City Souls, Through Global Currents, Urbania
Danny Simmons, I Dreamed My People Were Calling But I Couldn’t Find My Way Home
Joseph “Reverend Run” Simmons, Words of Wisdom: Daily Affirmations of Faith
Justine Simmons, God Can You Hear Me?
Amy Sohn, Run Catch Kiss, My Old Man
Martha Southgate, Another Way to Dance, The Fall of Rome, Third Girl from the Left
Elizabeth Strout, Amy and Isabelle, Abide with Me
Robert Sullivan, Cross Country: Fifteen Years and 90,000 Miles…, Rats

Mari Takabayashi, I Live in Brooklyn
Michael Thomas, Man Gone Down
Lynne Tillman, American Genius: A Comedy, This is Not It
David Dante Troutt, The Monkey Suit, The Importance of Being Dangerous, After the Storm

Eisa Nefertari Ulen, Crystelle Morning
Anya Ulinich, Petropolis

Alisa Valdes-Rodriguez, Dirty Girls Social Club, Playing with Boys, Make Him Look Good
Ivan Velez Jr., Blood Syndicate, A Man Called Holocaust, Static

Lauren Weinstein, Inside Vineyland, Girl Stories
Colson Whitehead, The Intuitionist, John Henry Days, Apex Hides the Hurt
Eric Wight, My Dead Girlfriend
Mo Willems, Don’t Let the Pigeon Drive the Bus
Patricia Williams, Open House, Alchemy of Race and Rights
Tia Williams, It Chicks, Accidental Diva
Brian Wood, Channel Zero, Demo, DMZ
Jacqueline Woodson, Feathers, Hush, Locomotion
C.D. Wright, One Big Self: An Investigation, Cooling Time: An American Poetry Vigil

DSCN8017
Actors reciting Walt Whitman’s poetry

DSCN8061
The crowd scrambles for tickets to author events

DSCN8022
Onstage for discussion of Jack Kerouac

DSCN8059
The Brooklyn Public Library brought their bus

Brooklyn Book Festival
Brooklyn Public Library
National Endowment for the Arts: The Big Read


Readers Eye on NYC

August 29, 2007

I saw the notice in Time Out New York magazine.

Issue 618 : August 1, 2007 - August 7, 2007
Readers’ Eye on NYC

We want to see a version of this city we’ve never seen before—yours.

Send us recent photos of how New York appears through your eyes, whether it’s your favorite forgotten landmark, your undiscovered ’hood or a photo diary of your night on the town. (In other words, keep the Brooklyn Bridge postcard photos to yourself. )

The photos you submit could be published in an upcoming issue—maybe even on the cover! Plus, you could score a little cash.

Before you send, please make sure you do the following:

  •  *Check that the photo is recent (i.e. taken within the past two years).
  •  *Check that the file size of your image is between 1MB and 3MB (preferably in JPEG format). Especially large files will be bounced back by our email program.
  •  *Include your name, a descriptive caption and the date the photo was taken
  •  *Make sure that we receive your images no later than Friday, August 17.

Got that? Cool.

So, I sent in some photos and out of “nearly 1,000 submissions, including 91 street shots, 58 landscapes, 50 reflection photos, 47 parades, 44 shots of Coney Island, 42 pics of grafitti and four candids of some chick’s boyfriend,” Time Out New York selected one of mine for publication in the August 30 issue.

Today, the magazine with my photo in it came out. Even though I subscribe, I couldn’t wait for this week’s issue to arrive in the mail. I went to a newsstand, grabbed a copy, flipped through until I found the image and exclaimed, “Look, my picture is in the magazine!”

I turned it around so that the man behind the counter could see the page.

He studied the photo for a moment, looked at me and solemnly said, “It doesn’t look like you.”

“No,” I replied. “It isn’t a picture OF me, it is a picture BY me. I took the photo.”

He gave me a puzzled smile and nodded. “Yes, of course,” he replied, averting his eyes.

I paid for the magazine and headed towards home but when I saw a friend on the sidewalk I had to stop and show her the picture.

“Look, look, my photo is in this magazine!”

“Wow, let me see!”

I handed it over. She peered closely at the page, looked back up and said, “That doesn’t look anything like you.”

Argh. Never mind, I’m happy.

08-30-2007 12;34;32PM.BMP
The magazine cover

Burkhas & Rugrats
My photo

Announcement of Readers’ Eye on NYC


Looking Back

April 23, 2007

In the mid-1950s, a struggling young director with a failing production company staged the work of an unsuccessful young playwright and — overnight — changed British theater.

The producers were the English Stage Company, the director was Tony Richardson, the playwright was John Osborne and the play was Look Back in Anger. Based on the battles and ultimate breakup of Osborne’s explosive first marriage, it catapulted its author, the prototypical “angry young man,” to fame, fortune and widespread acclaim.

Osborne was an immensely talented writer, a loyal and amusing friend, a cruel son, a horrible husband and an absolutely vile father. Following Look Back in Anger, he turned out a long string of hits while breaking the heart of nearly every woman who played an important role in his life.

This evening the New York Public Library brought Osborne and his work back to life with Looking Back on John Osborne, a performance in the intimate (200 seat) Bruno Walter Auditorium at the Library for the Performing Arts.

The program featured Michael Sheen and Natasha Richardson reading from Osborne’s plays, letters and journals. Sheen, who recently portrayed Tony Blair in The Queen, is currently starring on Broadway as David Frost in Frost/Nixon. Richardson, recipient of a Tony Award for her work in a Broadway revival of Cabaret, had a personal connection to Osborne. Her father, Tony, directed Osborne’s first successful play and the men were close friends to the end of their lives. 

Introduction and commentary was provided by John Heilpern, author of John Osborne: The Many Lives of the Angry Young Man. He discussed the man and his work, emphasizing both Osborne’s brilliance and his wretched treatment of his family.

Heilpern noted that Osborne despised his mother and drove one of his wives to suicide, but ”the worst thing he ever did” was writing ”an abusive, unforgivable letter” to his only child, his daughter Nolan, when she was 16 years old.

The audience audibly gasped as Heilpern went on to explain why he believes that the fact “she survived at all” is “a miracle.” At the age of 12, Nolan was sent to live with Osborne when her mother, who had been his third wife, descended into alcoholism and madness.

Four years after she moved in, Osborne left a letter for the girl to find when she came home from school. In it, he ordered her to remove her things from his home immediately and find a new place to live. He also stated that he was no longer willing to pay for her schooling, calling it “a waste.” 

Osborne’s missive compared the teenager, whose only crime was normal adolescent moodiness, to one of King Lear’s daughters and said “your heart — such as that is — is irretrievably elsewhere, a place without spirit, imagination or honour … banality, safety, mediocrity and meanness of spirit is what you are set on.”

The day Nolan found the letter, she obeyed Osborne’s commands, packed a few things and fled. A classmate’s family took her in; the father and daughter never spoke again. Now a middle-aged woman living in England, on the rare occasions that she refers to the man who tossed her out and abandoned her, she never uses the word “father.”

Among those listening to the program was Vanessa Redgrave, who was once married to Osborne’s great friend, Tony Richardson, and is now on Broadway in The Year of Magical Thinking. It was a particular pleasure to observe the much-honored actress sitting in the second row, smiling and nodding, as she watched her oldest daughter read onstage.

John Osborne by John Heilpern
Originally uploaded by annulla.

New York Public Library for the Performing Arts: Calendar of Programs
Borzoi Books: Q&A With John Heilpern
The Guardian: Stage-Boor Johnny
Philadelphia Inquirer: A Life of Torment, Given and Received
David Hare on John Osborne
The Guardian: John Heilpern on “The Entertainer”
IMDB: Natasha Richardson
Michael Sheen
BBC: Michael Sheen
Broadway.com: Vanessa Redgrave Returns to Broadway
Internet Broadway Database: Look Back in Anger
Arvon Foundation


A Reader Lives Here

April 4, 2007

In the center of Greenwich Village, this window-cum-bookshelf at the corner of MacDougal and Bleecker Streets caught my eye. Sure, he’s lost half his view, but who needs to look outside, anyway, when you can see the whole world in a book?


A reader lives here
Originally uploaded by annulla.


The Independent and Small Press Book Fair

December 3, 2006

This weekend the Small Press Center, a non-profit educational organization for independent publishers, sponsored its 19th annual Independent and Small Press Book Fair.

A program of the General Society of Mechanics and Tradesmen of the City of New York, the Small Press Center serves those “driven primarily by a desire to publish what interests them, what they believe in” regardless of whether or not large publishing houses consider it commercially feasible.

The Small Press Center is housed in a landmark Victorian structure at 20 West 44th Street in Manhattan. Built in 1893, it was designed by architects Hugh Lamb and Charles Alonzo Rich to house the Berkley School (at the time, a private school for boys). The General Society moved here in 1899 and designated its central space, a three-story, skylight-topped expanse, as the main reading room for their members’ library.

The library was the site of the Book Fair, with most of the 100 or so publishers in attendance exhibiting their wares in the main reading room or on the surrounding balconies. In addition to the books, the Book Fair included readings, talks and panel discussions with authors, editors, illustrators and publishers.


Author Emily Jenkins Posted by Picasa


Illustrator Tomek Bogacki Posted by Picasa


Poet/TV personality Ira Joe Fisher Posted by Picasa


Literary anti-hero Amiri Baraka Posted by Picasa


Author Colin Channer Posted by Picasa


Graffiti artist Savager Posted by Picasa


Graffiti artist Erni Posted by Picasa


Graffiti artist Smith Posted by Picasa


Graffiti artist Lady Pink Posted by Picasa

Small Press Center
Book Fair Schedule of Events
Emily Jenkins
Tomek Bogacki
Colin Channer
Amiri Baraka
Savager
Erni
Smith and Lady Pink
General Society of Mechanics and Tradesmen
The General Society Library
Lamb and Rich Architecture


The First-Ever Brooklyn Book Festival

September 16, 2006

For more than two decades Manhattan hosted New York is Book Country which grew to become one of the nation’s largest, busiest and most beloved book fairs. Every autumn, starting in 1979, a long section of Fifth Avenue was closed to traffic while hundreds of thousands of readers spent the day strolling among exhibit booths, buying books, and attending panel discussions and author signings.

In 2004, New York is Book Country was moved from midtown Manhattan to Greenwich Village, the date shifted from September to October and the program expanded from one day to two. The following year the book fair disappeared entirely. Devoted readers waited for the posters and announcements that would proclaim the location and featured speakers for 2005, but they never arrived. The nonprofit organization that ran the event shut down. That, it seemed, was that. Booklovers mourned.

Today New Yorkers rejoiced at the introduction of new literary fair: The first annual Brooklyn Book Festival.

Held at Borough Hall, the fair featured approximately 100 exhibitors, including two outdoor stages, a children’s pavilion and booths for bookstores, publishers and literary journals and organizations set up alongside the Greenmarket. Inside, the rotunda was dedicated to author signings while panel discussions and readings were held in the Courtroom and Community Room. Admission to all events was free on a first-come-first-served basis.

Most of the participating authors and poets have strong connections to Brooklyn, either by birth, residence or subject matter. Among those appearing at the Festival: Pete Hamill, Jonathan Ames, Colson Whitehead, Paula Fox, Jonathan Lethem, Jhumpa Lahiri, Philip Lopate, Rick Moody, Jennifer Egan, Kate Pollit, Edmund White, Gary Shteyngart, Jonathan Ames, Simcha Weinstein, Nelly Rosario, Ann Brashares, Colin Channer, Phil Levine, Nicole Krauss and Myla Goldberg.

Of course, the Brooklyn Festival was a bit different than the version that used to be held in Manhattan. There was less emphasis on bestsellers and antiquarian books and more on new and emerging talents. The crowd was smaller and more diverse, the presses and magazines represented tended to be more experimental, and everyone and everything (with the exception of a few painfully out of place, hipper-than-thou poseurs) was friendly, open and accessible.


Small presses and literary journals  Posted by Picasa


Listening to readings on the steps of Borough Hall  Posted by Picasa


Brooklyn-based publisher Akashic Books  Posted by Picasa


Bank Street Bookstore  Posted by Picasa


Authors Betsy and Ted Lewin reading in the children’s pavilion  Posted by Picasa


Authors Jonathan Ames and Gary Shteyngart  Posted by Picasa


Author Ben Greenman  Posted by Picasa


Author Colson Whitehead  Posted by Picasa


Author Rabbi Simcha Weinstein  Posted by Picasa


Graphic novelist Matt Madden  Posted by Picasa


Sorting through stacks of books  Posted by Picasa


“Artist” Tillington Cheese & her biographer, F. Bowman Hastie III  Posted by Picasa


The Target dog at the children’s pavilion  Posted by Picasa

  • New York Public Library: New York is Book Country 2004
  • Brooklyn Book Festival
  • Press Release: Brooklyn Book Festival
  • NY Times:A Literary Voice With a Pronounced Brooklyn Accent
  • Publishers Weekly: A Book Fair Sprouts in Brooklyn
  • New York Writers Coalition
  • Portrait of the Dog as a Young Artist by F. Bowman Hastie III
  • Ben Greenman
  • Jonathan Ames
  • Gary Shteyngart
  • Colson Whitehead
  • Rabbi Simcha Weinstein
  • Matt Madden
  • Betsy Lewin
  • Ted Lewin
  • Akashic Books
  • Bank Street Bookstore
  • Target

  • Teddy Atlas on Fear

    July 17, 2006

    Tonight, in an effort to stay cool and delay going down into the oppressively hot subways, I attended a book signing at the Borders Books store in Columbus Circle (stores in ritzy neighborhoods tend to keep their thermostats set at Arctic levels).

    The book signing (and reading) was by boxing trainer and commentator Teddy Atlas who, working with writer Peter Alson, has just published his autobiography, Atlas: From the Streets to the Ring.

    During the course of his career Atlas has moved through every level of society, working with the famous and infamous, the beautiful and the ugly, dancers and athletes, doctors and executives, underprivileged kids and hardened criminals. He’s known gentleness and viciousness, redemption and damnation, punched hard, dried tears, heard as many confessions as a priest, felt the power of love and the damage of indifference.

    He arrived late, delayed by taping a TV segment at Brooklyn’s Gleason’s Gym and, apologizing profusely, read a long passage from the book. Then, fielding questions from knowledgeable fight fans, he spoke about his work with young boxers, the “Golden Age” of the sport (in his opinion, the 1920s - 1950s), why today’s fighters don’t measure up to their predecessors and why he isn’t working for HBO.

    Just before he began signing books, this unmistakably tough guy said something that struck a chord with me. He spoke about fear. Atlas, who is certainly in a position to know, says that all fighters are afraid. Even the men who appear to be the toughest, the most fearless, are scared to climb into the ring. The trainer’s job isn’t to teach the boxer how to stop feeling fear (an impossible goal), but rather, how to live with his fear.

    “They’re all afraid,” said Atlas. “Do you think there’s one of them that wouldn’t rather go get an ice cream than fight? They can’t stop being afraid, but they can learn not to show it. They learn to accept it and deal with it and not let it stop them.”

  • Atlas: From the Streets to the Ring: A Son’s Struggle
  • Hardcore Boxing: Kimo Morrison and Teddy Atlas
  • Gleason’s Gym
  • Borders Books Columbus Circle
  • Dr. Theodore Atlas Foundation

  • Stand Up for Bastards

    July 16, 2006
    Legitimate Edgar, I must have your land.
    Our father’s love is to the bastard Edmund
    As to th’ legitimate. Fine word — ‘legitimate’!
    Well, my legitimate, if this letter speed,
    And my invention thrive, Edmund the base
    Shall top th’ legitimate. I grow; I prosper.
    Now, gods, stand up for bastards!

    – King Lear, Act I, Scene II.

    Today, in the space between the Brooklyn and Manhattan Bridges, a small audience braved the brutal heat for art’s sake. They gathered in a shady corner of Empire-Fulton Ferry State Park to watch the Boomerang Theatre Company in a free performance of Shakespeare’s King Lear.

    An extraordinary moment came at Act 3, Scene II, when Lear and the Fool emerged from the shaded grove. As the king cried, “Blow, winds, and crack your cheeks! Rage! Blow!,” a strong current blew through the trees, bending the limbs with such force that a branch came crashing to the earth.


    A grove of trees serves as “backstage” Posted by Picasa


    Edgar draws his sword against Edmund Posted by Picasa


    Edmund is mortally wounded Posted by Picasa


    Kent watches as Lear cradles the dead Cordelia Posted by Picasa

  • Online Literature: King Lear
  • Boomerang Theatre Company
  • Bill Fairbairn
  • Review of Boomerang Theatre Company’s King Lear
  • Empire-Fulton Ferry State Park

  • A Trip to Lake Woebegone

    June 5, 2006

    For years, friends earnestly urged me to listen to public radio and for years, I ignored their suggestions. I suspected that the programs on something called “public radio” would be either educational (translation: dull and dry) or political (translation: dull and irritating).

    Then, one night, someone turned the radio dial and I heard a deep voice intone, “Welcome to Lake Woebegone, where all the women are strong, all the men are good-looking, and all the children are above average.” I was enthralled by the quirky variety show that followed and the exotic Midwestern culture it portrayed. Fascinated by the program, A Prairie Home Companion, and its tales of Norwegian bachelors, lutefisk suppers, deer hunting and ice-fishing, I’ve kept the radio tuned to that station ever since.

    Tonight, the man behind that voice and show, Garrison Keillor, appeared at the Barnes and Noble bookstore in Union Square. He described his experiences making the new feature film based on his radio broadcasts, fielded questions, offered advice and autographed books and CDs for the wistful New Yorkers who hope to spend their summer vacations on the shores of beautiful Lake Woebegone.


    Garrison Keillor speaking Posted by Picasa


    Signing a book for a fan Posted by Picasa

  • Barnes & Noble
  • A Prairie Home Companion: radio program
  • A Prairie Home Companion: 25th Anniversary Collection
  • A Prairie Home Companion Movie
  • Minnesota Public Radio: ‘Prairie Home’ Movie
  • The Writer’s Almanac

  • Banned Books Week

    September 24, 2005

    Banned Books Week: Celebrating the Freedom to Read is an annual event held during the last week of September. Every year I forget about it until something reminds me. This year, the reminder came in the form of an e-mail from Coliseum Books:

    Greetings Book Lovers!
    Starting September 24 to October 1, booksellers, librarians, authors, readers, students and other friends of free expression will participate in Banned Books Week. It was started in 1982 by the American Library Association, the American Booksellers Association, the Association of American Publishers and the National Association of College Stores to raise awareness of censorship problems in the United States and abroad. For the past 22 years, it has remained the only national celebration of the freedom to read. Book banning is nothing new. Dante’s The Divine Comedy was burned in 1497 on religious grounds. Queen Elizabeth censored parts of Shakespeare’s Tragedy of King Richard II in 1597. Jean Jacques Rosseau’s philosophical work was placed on the Roman Catholic Church’s Index of Prohibited Works in the 18th century. Click here to read a list of the American Booksellers Foundation for Free Expression’s banned and challenged Books of 2004 – 5.

    ——–

    I plan to mark the week by reading and releasing Barbara Kingsolver’s Animal Dreams, which appears on the current list of banned and challenged books.

    Just a gentle reminder that those of us who are able to read and write what we wish must not take this precious freedom for granted.


    Animal Dreams Posted by Picasa

  • Banned and Challenged Books of 2004 - 5
  • American Booksellers Foundation for Free Expression Banned Books Week Resources
  • American Library Association Banned Books Week Resources
  • American Library Association
  • Association of American Publishers
  • American Society of Journalists and Authors
  • Association of College Stores
  • Barbara Kingsolver
  • Animal Dreams
  • Coliseum Books
  • Bookcrossing

  • HOWLing in Tompkins Square

    August 26, 2005

    Allen Ginsberg’s Howl is now 50 years old. When Lawrence Ferlinghetti published and tried to distribute the epic poem, it was seized by U.S. Customs authorities as obscene. The courts eventually found that the poem (laden with words that still have the power to shock) was not obscene, but the headline-making trial brought Ginsberg fame, notoriety and a permanent place in the pantheon of hipsters.

    In honor of Ginsberg’s contributions to “the countercultural heritage of the East Village/Lower East Side”, The Federation of East Village Artists named their annual arts festival the HOWL! Festival of East Village Arts. This year, to commemorate its 50th anniversary, the third annual Howl Festival is hosting a celebration of the poem.

    From the official festival listing:
    Tompkins Square Park – FREE
    FRIDAY, AUGUST 26, 2005, 6:00 PM
    ALLEN GINSBERG POETRY FESTIVAL
    50th Anniversary of the HOWL! Poem
    The Allen Ginsberg Poetry Festival celebrates the spirit of the renowned poet, world traveler, spiritual seeker, founding-member of the Beats, champion of human and civil rights, photographer, songwriter, community activist, teacher, and co-founder of the Jack Kerouac School of Disembodied Poetics. Featuring Anne Waldman, Antler, John S. Hall, and Ed Sanders; HOWL will be read in seven languages and 16 voices.

    I saw the best minds of my generation destroyed by madness, starving hysterical naked …


    Ed Sanders reading an excerpt from Howl! Posted by Picasa


    Reading Howl from a copy of Beat Voices Posted by Picasa


    Anne Waldman reading: “Moloch! Moloch! Nightmare of Moloch!”nbsp;Posted by Picasa


    Antler reading Howl in a Walt Whitman t-shirt Posted by Picasa


    Reading Howl  Posted by Picasa


    Singing Footnote to Howl: “Everyman’s an angel!” Posted by Picasa


    John Hall reading a portion of Howl Posted by Picasa


    Playing music inspired by Howl Posted by Picasa

  • The Federation of East Village Artists
  • Howl Festival
  • Howl
  • Footnote to Howl
  • Wikipedia entry for Howl
  • New York Times Book Review special section on Allen Ginsberg
  • Literary History entry for Allen Ginsberg
  • The Beat Page entry for Allen Ginsberg
  • Interview with Lawrence Ferlinghetti on Howl’s 45th anniversary
  • Lawrence Ferlinghetti Speaks on Howl and Banned Books (click the link under his photo)
  • Ed Sanders
  • Anne Waldman
  • John S. Hall
  • Steven Van Zandt

  • Writing, escaping and dissolving

    April 20, 2005

    Tonight I attended a writing workshop organized by the NY Writers Coalition. The idea of the workshop is that each person writes and then — if they wish — reads their work to the assembled group. The session begins when the facilitator reads something or makes a reference that the writers can use a starting point.

    There are strict rules:
    1. No one has to read or comment on anyone else’s writing unless they so desire.
    2. Writers can read only things they’ve written during that particular workshop.
    3. Comments should focus on feelings or reactions to the piece or its structure; no critiquing.
    4. Do not assume that the writer is discussing his or her own feelings or experiences.

    The first session tonight began with the facilitator reading a poem by New York chef/poet Frank Lima.


    Frank Lima Posted by Hello

    I’m Tired

    February 21, 1994
    I want you to grow old with me
    i.e. to catch up to me
    as I am becoming increasingly weary
    of writing poems to you

    the poems have
    discolored my life

    I’m tired of the mysterious truth
    after I touch you
    I’m tired of not knowing what you think about
    I’m tired of women who have the same name as you
    they don’t know that I’m tired of them too

    I’m tired of the telephone
    of its beige lips
    telling me they love me
    and that you don’t
    that you’re a figment
    in my ear

    I don’t want my poems to wear out anyone else again
    I don’t want to die and have this machine at
    my bedside holding my hand
    draping me with its affectionate black ribbon
    wondering who will turn it on when I’m gone
    wondering if my soul will become a kiss again.

    Interestingly enough, the pieces we developed — without any planning or discussion — were very clearly divided by gender. The women wrote pieces that included references to escaping to Tahiti and drinking cocktails while being immersed in warm water; the men wrote about a heavy, pervasive weariness that extended down into (and even dissolved) their bones.

    We speculated about the commonality, and someone mentioned that while it could be a coincidence, it could also be interpreted as dipping into a collective unconsciousness. Usually, that sort of reference would make me uncomfortable — or at least, skeptical — but tonight, it seemed as though it might be a logical explanation for an extraordinary occurrence.

  • NY Writers Coalition
  • Frank Lima
  • Tahiti Legends Vactions